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Editorial Review I believe there is another man inside every man, a stranger . . . writes Wilfred Leland James in the early pages of the riveting confession that makes up "1922," the first in this pitch-black quartet of mesmerizing tales from Stephen King. For James, that stranger is awakened when his wife, Arlette, proposes selling off the family homestead and moving to Omaha, setting in motion a gruesome train of murder and madness. In "Big Driver," a cozy-mystery writer named Tess encounters the stranger along a back road in Massachusetts when she takes a shortcut home after a book-club engagement. Violated and left for dead, Tess plots a revenge that will bring her face-to-face with another stranger: the one inside herself. "Fair Extension," the shortest of these tales, is perhaps the nastiest and certainly the funniest. Making a deal with the devil not only saves Dave Streeter from a fatal cancer but provides rich recompense for a lifetime of resentment. When her husband of more than twenty years is away on one of his business trips, Darcy Anderson looks for batteries in the garage. Her toe knocks up against a box under a worktable and she discovers the stranger inside her husband. It’s a horrifying discovery, rendered with bristling intensity, and it definitively ends a good marriage. Like Different Seasons and Four Past Midnight, which generated such enduring films as The Shawshank Redemption and Stand by Me, Full Dark, No Stars proves Stephen King a master of the long story form. ... Read more Reviews
King delivers, November 9, 2010
Some of King's best material-- "The Mist", "Rita Hayworth and Shawshank Redemption", "The Body", "Hearts in Atlantis", etc.-- can be found in his collections, particularly his novella collections. Yes, he's written some long books, many of them already considered modern classics (The Stand and IT come to mind), but the man has ALWAYS delivered when he confines himself a bit.
By delivered, I mean everything: characters, setting, story, emotion.
Read the first twenty pages of "1922." Try not to despise the utter selfishness of Wilfred and Arlette-- even while you're sympathizing with the unfortunate humanity of their situation. Try not to stare wide-eyed in horror at what Wilfred convinces his son to partake in... and just try to look away from the book (although you may have to-- for a breather-- after one grueling scene).
This is an honest book. Each story seems to revolve around the theme that there is a monster inside each one of us.
King is sometimes accused of being wordy, yet he seems to bat every ball out of the park when he confines himself to the constraints of a hundred or so pages.
Pay no attention to the fools who have chosen to lower the star rating of this excellent collection with their whining about the publishing industry and the expensive nature of their digital "books."
I paid fourteen dollars for this book several hours ago-- not a bad deal at all for a new hardback, I'd say-- and it's worth much more than that.
King is a modern master, and we're lucky to have him.
Solid addition to my SK Library., November 13, 2010
Full Dark, No Stars is a collection of 4 novellas that envelope the dark side in us all. The collection gets you started with...
1922 - This first person POV story is a confession of a farmer detailing his deeds which lead to the worst year of his life during the year 1922 in Nebraska. It is written with Mr. King's normal grab your attention right away and then bog the story down for a while throwing in those little blurbs to keep the plot moving. The majority of the story is predictable leading right up to an easily drawn conclusion. However, Mr. King does a nice job of ending the story on anything but relative to typical and in doing so saved it from being a low rating story. I would rate this one in the 3.5 stars range.
Big Driver - Another tale of rape and revenge. Even though this one was really predictable yet I still found it an engaging read, especially at the end. Mr. King does a great job of giving just enough details to get his vision across and at the same time leaves out enough so the reader can fill in the rest. I do feel he could have added more to the characters in this one. I wish he would have added more to the antagonist, but it seems he just let the deeds that were done to be enough to invoke a hatred for the antagonist and it just wasn't enough. The protagonist had her high and low points, but it was actually one of the side characters that seemed to have more to them in just their short scenes. The pacing and flow of the story was well done and so I will give this one a 4 out of 5 stars.
Fair Extension - How remorseless can a person be? Read this story and find out. To me, this one portrayed hatred in its purest form. This one was a really quick read as it is the shortest story in the collection. This story doesn't beat around the bush. It gets right to it and doesn't let go. One of the things I would have liked was to know more about the "salesman" character. This one felt more like a Richard Bachman story to me, but not as good as the earlier works. So I think a 3 out of 5 would be fair for this one.
A Good Marriage - What would you do if you found out the person you were married to for 27 years had a very dark side? I would have to say this was the best story in the collection. The characters had good depth to them, were well fleshed out, and easy to connect with. It had a good pace to it and flowed nicely. One of the points I enjoyed was the Edgar Allan Poe simile he used. This was definitely a good psychological thriller. 5 Stars out of 5
Afterword - One thing I like is to read what Mr. King has to say about his books and this afterword was written especially for those who ask the question, "Where do you get your ideas?" If you are one of these type of people, then you will be greatly satisfied reading this small section, I know I was.
This book as a whole was entertaining to read and had many aspects of good humanistic horror telling. All the stories are more based on the darker side of human nature. If you are looking for more supernatural monsters, you will not find much here, though there are a couple parts that tow that line and one that steps just beyond it, but the main focus is on human reaction. If you are looking for some really gory parts, then 1922 is the best you will get. For long time Stephen King fans, I would definitely recommend this one and even those of a younger crowd who may or may not have had the chance to read him; I would recommend it to them as well. Calculating all the stories together, I feel this is worthy of a 4 out of 5 stars.
Happy reading.
-Dimndbangr
A Great King Book, November 10, 2010
I admit, I'm a fan of SK, but that doesn't stop me from NOT liking one of his books if I find it uninteresting. There have been a few-- like Rose Madder, Insomnia and Bag of Bones-- that I just didn't like and couldn't finish reading. Not that they're bad books, just not to my tastes. FULL DARK, NO STARS is one Stephen King book I'm putting in my great list. It was absolutely enthralling and very, very frightening. I'm not real big on bloated books that are more filler than sizzle, but the short novels in this book are lean and mean. I highly recommend this book.
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Now, as far as all the Kindle owners complaining about the price... back in the day, before the convenience of ebook readers and the wonder of having your reading collection all in one 4 ounce e-ink device, if someone could not afford a book they wanted to read, they went to the library and checked it out. They didn't protest in front of the bookstore. They didn't disparage a writer's reputation. They bought it used at a second-hand book shop, waited to find it at a yard sale or borrowed it from someone who is more affluent.
But back in the day, people had a little more pride, and they didn't think they should get everything for free, or next to free, just because they wanted it. Have a little dignity, people! Stop yapping like you think you're the star of your own little reality TV show. If you can't afford it, wait for the price to drop.
The review section is for book reviews, not for pricing complaints.
Full Dark, Three Stars, November 19, 2010
I was looking forward to reading 'Full Dark', especially as it is a collection of stories rather than a novel. The short story suits King perfectly; far less room for the sagging middle section, the proliferation of thumbnail-sketched characters, predictable plot-turns, etc. The writing tends to be both more concentrated AND more pacey; it gathers its wits and gets down to what King does best: telling a great story. At his worst, he coasts along on automatic, happy to let the characters, plots and effects from earlier stories reappear in different guises, and he pads, so that dreary middle section becomes pendulous and plodding.
Since three of the four stories in Full Dark are longish ones (or novellas), there is room for quite a bit of 'automatic' writing. The first story, simply titled '1922' is, essentially, a ghost story, in the form of a prolonged confession by a man who murdered his wife. The murderer is a poor and desperate Nebraska farmer. King establishes the man's voice (contrite but not above self-deception) quite beautifully in the first few pages. Here's a sample: 'I believe that there is another man inside of every man, a stranger, a Conniving Man. And I believe that by March of 1922, when the Hemingford County skies were white and every field was a snow-scrimmed mudsuck, the Conniving Man inside Farmer Wilfred James had already passed judgement on my wife and decided her fate.' But the story has a middle which sags and then some, and by the time the ghost makes its appearance the encounter has been so over-prepared that it is, inevitably, a non-event. And there are rats. Anyone find rats scary? If you do, you may find this tale engrossing, but in my experience an abundance of these critters usually indicates that the fiction will be seriously dilapidated. There are moments of tension and creepiness, but all of these are frittered (or gnawed) away in the 125 pages. It might have worked, with some serious editing, but it is, unfortunately, the longest story in the book.
The two succeeding stories, 'Big Driver' and 'Fair Extension', are better, but they both have weaknesses. 'Big Driver' starts out enjoyably enough. A woman who writes detective stories (of the Miss Marple variety) accepts an invitation to give a reading and afterwards (on the advice of her host) takes a shortcut. Naturally, she encounters a problem, followed by a considerably bigger one. This is promising King territory; he is great behind the wheel, or with most things road-related (remember 'Mrs Todd's Shortcut' from 'Skeleton Crew' and 'Rest Stop' from 'Just After Sunset'). I motored along with this for quite awhile (it's the second longest story), but eventually the payback angle became tiresome. Revenge may or may not be a dish best eaten cold, but overheated, it quickly loses all flavour of beliveability. 'Fair Extension' is a blackly comic anti-morality fairytale. It has some nice touches (particularly in the figure of the devil as down-at-heel roadside hustler), but I far preferred the truly scary 'Man In The Black Suit' in 'Everything's Eventual', one of his strongest collections of stories.
Which brings us to the final story, 'A Good Marriage'. I was tempted to title this review 'Indifferent Seasons', punning on King's 1982 book, Different Seasons, which has a similar shape: four novellas (or in the latter case three novellas and one longish story). But, despite my gripes, to call this offering indifferent would be unfair. 'A Good Marriage' is a great story, one of his best. The plot is easily described: a woman, who has been happily married for a quarter of a century, discovers something unexpected about the husband she thought she knew, the man who hadn't a cruel bone in his body. What happens afterwards is what makes this special. No need to say more. Buy the book, because this one story makes it worth the admission price.
This is not a book to lull you to sleep, unless you enjoy double-checking the locks and looking under the bed before you turn in, November 15, 2010
Is the King of the Crypt toying with us with the title FULL DARK, NO STARS? There is no denying that each of these four short, chilling stories plumbs the depths of darkness of the human condition, but each also shines in its own macabre radiance as four mere humans struggle with events that forever alter the course of their lives. This is not a book to lull you to sleep, unless you enjoy double-checking the locks and looking under the bed before you turn in.
In "1922" Wisconsin farmer Wilfred James takes matters into his own hands when his wife decides to sell off the portion of their land left to her by her father. She plans to accept the generous offer for the 100-acre parcel from a hog processing plant and move to town, with or without Wilfred. He loves farming and foresees the hog business bringing with it putrid odors, noise and ruination of his property value. Leave she does, but not without a chilling assist from her husband, who entices their teenage son to help in her murder and the cover-up of the crime. The longest and most gruesome of the four stories, "1922" describes the real and imagined horrors that visit the murderous husband as his life and that of his son gradually unravel. The story of Wilf's journey into madness finds Stephen King at the height of his writing prowess.
"Big Driver" introduces us to Tess, a writer of cozy mysteries popular with women's book clubs. Her readers aren't fond of the "ooky" parts of mysteries, but when she narrowly escapes death at the hands of a serial rapist and murderer on a lonely stretch of road, she is faced with plotting and carrying out her own form of criminal justice. The real-life solution she creates out of her fertile writer's imagination is deliciously satisfying as the self-sufficient young woman grapples with how to make sure he doesn't kill again.
At a mere 34 pages, "Fair Extension" is perhaps the darkest and most thought-provoking tale of this extraordinary literary quartet. Dave Streeter, a successful, middle-aged family man, finds himself suddenly confronted by his own mortality by a virulent cancer. Feeling ill, he pulls off the road for a moment and notices a modest roadside vendor's booth. Curious, he strikes up a conversation with the odd little man who says he gives people what they want through a fair exchange. The man learns of Streeter's plight and offers restoration of his health with a 30-day, money-back guarantee if he's not satisfied. The fair exchange that is required is that Streeter must consciously select a person he dislikes who will be on the receiving end of the trade. "Fair Exchange" is a classic tale of good versus evil, a subject that has been thoroughly explored in some of King's most famous novels. The brevity with which he treats the subject snaps today's world into sharp focus. Just how far-reaching and pervasive are the consequences of greed in the pursuit of personal gain?
The last entry is "A Good Marriage." Darcy Anderson discovers that sometimes it doesn't pay to be too tidy or too curious. Her entirely happy, if somewhat humdrum, world comes crashing down when she stubs her toe on something beneath her husband's workbench. In a modern-day tale of Pandora's Box, Darcy will find herself visited with knowledge best left unknown. Her solution, like that of Tess the mystery writer, is startling and darkly satisfying.
King steers clear of the supernatural this time out, depending on how the reader sees the little man in "Fair Exchange." He offers the idea that there is the potential in each of us to kill, not only in immediate self-defense, but with diabolical cunning, if the situation warrants. He writes in his self-revealing afterword that each of the disturbing tales was constructed from real-life scenarios. Too often, he feels that the "whys" --- the reasons people do the things they do that appear in the headlines --- are not explored by the law or in the media. In FULL DARK, NO STARS, he explores these reasons through the eyes of otherwise ordinary people.
Here they are, through a glass darkly.
--- Reviewed by Roz Shea
Kindle version--$14.99. The fact there are any versions--priceless., November 13, 2010
Here's my two cents (or my $14.99). These are some of Stephen King's best stories ever, and I've been a fan since I read "Carrie" in Junior High (when is was first published in paperback, kids couldn't afford hardback books back then!). Like most King books, I devoured this one in less than 48 hours. "A Good Marriage" and "Big Driver" are particularly disturbing, maybe because they both have female protaganists whose stories seem very real. Like it or not, Stephen King tells the living s&%# out of a story.
Which brings me the price issue. People are certainly within their rights to bitch about the price of anything-gas,food, education, Ferraris, etc. But for me, fifteen bucks is a small price to pay for something that I really, really enjoy. I spend a lot more on stuff is don't enjoy near as much. I have read and re-read virtually everything King has written. There may come a point in my life when Mr. King dies (morbid, I know, but one of us will go first). Outside of people I actually know, his demise would probably be the only one which would actually leave a personal, lasting void in my life. So I say, live long and prosper, Mr. King. I hope I can give you (or your evil publisher) money for many, many more years.
Oh, and just to make it clear, I will buy the hardback, too. The kindle version is just for convenience.
Kindle this you idiots!, November 15, 2010
I own a Kindle and was surprised about the ebook price so i just got the hardback version and YES i bought AND read the book thus the 5 stars.
King is at his prime with the novella size story and it shows, Simply put Full dark, No stars is well worth every penny be it hardback or Kindle.
Classic King, November 9, 2010
Stephen King has had a sort of renaissance lately - the stretch of novels from Cell to last year's Under the Dome is King in top form, easily as good as (if not, in some cases, better) than his classics from the 70s and 80s. Full Dark, No Stars does not disappoint.
"1922" and "Fair Extension" are worth the price of admission alone - the latter is probably my favorite of the four stories/novellas that comprise Full Dark, No Stars. But don't get me wrong - the other two stories are great, too. And all four stories together, with their common theme of retribution and payback, make for an engrossing read.
Full Dark, Indeed, November 11, 2010
Atrocious cover aside (even if I'm dumb and missing something greatly significant about a minimalistic cover with a woman making the figure nine on it, it's still terrible, the title of Stephen King's latest book is perfect. Full Dark, No Stars, ladies and gentleman, is one bleak book. And though King is no stranger to grim subject matter, when it comes to his novella collections, I think this is the darkest one yet. There are no stars. There's little hope either. Some, but not much. One might almost expect to see Richard Bachman credited here such is the impenetrable darkness on display.
Those looking to King's latest hoping for the supernatural will come away disappointed. Even though there are instances in which rotting corpses shamble through the night and ghosts whisper from old wells, all of the horror in Full Dark, No Stars, is of the human variety, the supernatural relegated to mere projections from decaying minds. Ambivalent hauntings are, when the source is considered, not that ambivalent at all. And because all the terrible things are authored by human hands, this quartet of nightmares is all that much scarier.
Inspired by Wisconsin Death Trip by Michael Lesy, the collection's opener "1922 matches Lesy's book in its bleak, wintry tone. After murdering his troublesome wife in order to keep her from selling his farm to the greedy Farrington Company, Wilfred James soon realizes, as the repercussions of his crime slowly radiate outward, infecting everyone and everything it touches, that no bad deed goes unpunished. In the author's engaging style, we're caught right along in the current as events quickly spiral out of control. There are some particularly well-crafted scenes here, not the least of which is the murder itself, but some creepy moments later in the game are very much reminiscent of King circa Pet Semetery. Mostly, however, "1922 reads like an homage to Poe's "The Black Cat".
King takes tackles revenge fantasy with "Big Driver", the story of modestly successful crime writer Tess, who accepts a speaking engagement at an out-of-the-way library and takes a shortcut into a nightmare. Raped and left for dead, Tess escapes but, rather than going to the police (an idea quickly rejected when she considers the media attention it will draw down upon her), she decides to seek vengeance herself.
This is one of the better stories in the book, even if it's well-worn ground King's dealing with. If you've seen the movies The Brave One (referenced in "Big Driver" more than once), Extremities, or any of the Dirty Harry or Death Wish movies, then you know what to expect, albeit with more attention to the emotional current that thrums through the protagonist than is usually afforded the unfortunate characters in this subgenre. King is clearly aware that he's mining well-worn territory here too, but he does it with his usual style, keeping you rooting for Tess all the way.
Similarly, there is nothing staggeringly new about the concept behind "Fair Extension", but as always, there is something new in the way King tells it.
David Streeter has aggressive cancer. He doesn't have long to live. So when he finds himself offered a 15-year extension by a roadside trader named Mr. Elvid (groan), he enthusiastically accepts, convinced, as anyone would be, that it's all a joke. This is a King story, so of course it's anything but a joke, nor is the other side of the bargain, which means that, in order for Dave to enjoy a cancer-free 15 year extension, he must pass his misfortune along to someone of his choosing. Although this setup reminded me of Richard Matheson's short story "Button, Button" (filmed recently-and not particularly well-as The Box), King, to his credit, elevates this tale above standard fare by resisting the urge to follow the usual direction of such "deal with the devil" stories. Like "Big Driver", the author is well-aware that this kind of thing has been done before (Elvid even references "The Devil and Daniel Webster"), but nobody does it quite like King. I found myself particularly impressed with this one, though ultimately (as can really be stated about the book as a whole), "Fair Extension" is a grim and depressing piece of work.
The closing novella "A Good Marriage" is my favorite entry in the book. After reading the synopsis, I assumed I knew where King would take this tale of happily married housewife Darcy Anderson, who one night accidentally discovers something hidden in the garage that throws everything she knows about her beloved husband into question, and I was glad to be proved wrong. Riveting and heartbreaking, "A Good Marriage" poses the question, however deeply you wish to consider it: Do we ever really know each other?
A similar question sums up Full Dark, No Stars, and that is: Do we ever really know ourselves? Unlike King's previous collections, there is a very strong unifying theme at play here, and that is a study of how people react when pushed, or how we handle the ugly choices we're given. In all of these stories, people find themselves forced to face sides of themselves they might never have known existed if not for the intervention of exterior forces. In "1922 Wilfred James finds himself driven to murder by the threat of losing the only thing he truly knows. In "Big Driver" a rapist awakens the primal vengeance of an otherwise mild-mannered writer. In "Fair Extension" a man is asked to condemn another for the chance at a new life. And in "A Good Marriage" an ordinarily housewife is forced to make the ultimate choice when she finds out her loving husband is not what he has pretended to be. Take away the safety and security, the gravity we take for granted and you truly see what we are behind the mask. Good people, King says, may only be good as long as they're allowed to be. There is always a high and a low road, the good and the bad. But when the line of demarcation is not clear, when the gray area is a blur, and when we stand to benefit more from taking the path that will ultimately bring horror to others but an element of peace to ourselves, what do we do?
In Full Dark, No Stars, Stephen King offers four unflinchingly brutal scenarios in response to that question. It is a grim and often ugly journey of discovery, but as always when it comes to King, one worth taking, if only to see what we look like when the masks come off.
Apt Title., November 11, 2010
I usually put in my reviews some explanation for why I selected a book. I think/hope it helps folks who are reading the review know if I'm coming from the same place they are -- if I have the same hopes or expectations. There are times when it feels ridiculous to give that explanation. I selected this book because it's written by Stephen King, and while I haven't loved every word and some books have gone unfinished, he's still a darned good bet, isn't he? I think few people don't have some pivotal and lasting memories of either his books or movies made from his books, and my memories span my childhood into middle age, and involve people who are now gone. I also love both short stories and novellas and when I look back at my favorite Stephen King stories, these are well-represented. So, I bought the book and it freaked me out.
The afterword begins: The stories in this book are harsh. You may have found them hard to read in places. If so, be assured that I found them equally hard to write in places.
I thought, thank God. I did find these stories to be hard to read, intense, uncomfortable, heebie-jeebie creating. I was a little concerned that like my newly discovered acid reflux when in the presence of spicy food, my disinterest in roller coasters, and my increased habit of watching scary movies through my fingers, that this was just another sign of getting older. Good to know this stuff was really as intense as I thought.
1922: A man kills his wife over land and that's just the beginning and a fraction of the horrors in this tale. It reminded me a little of A Thousand Acres: A Novel, complete with lots of stuff Shakespeare would be down with -- only different. The murder of the wife is brutal and vividly portrayed, but what happens next is something that the main character Wilf couldn't even begin to imagine, except for the parts he may or may not have imagined. As another Stephen King character once said, sometimes the soil of a man's heart is stonier.
Big Driver: This was a pretty tough read for me in parts. Since a man wrote it, it would be uncharitable to say that the feelings it evoked are a "girl thing," but I do think that part of its effectiveness was being able to put myself in the main character's shoes, especially while she is walking after being assaulted, only keeping enough distance to berate her over certain decisions, but more about that later. The horror here is grounded in the plausible, even if toward the end it goes to a more fantastical place where justice is served in a rather "Rose Madder" way. I don't begrudge Mr. King this story, it was compelling, but Tess's option is not how it works in the real world, fortunately or unfortunately.
Fair Extension: Interestingly enough, I've been reading an anthology called Sympathy for the Devil which contains stories about -- guess. It contains Stephen King's The Man in The Black Suit, for that matter. This story would have fit right in, and would have been a really welcome substitution in many cases. The stories about deals with the devils and fiddles against your soul never get old, because they're about temptation about the darker sides of who we are. They ask the questions, what would you do in that situation, really? For me, this story is about how you can choose to not give up your soul and still give up your soul, how some decisions are a case of six of one, half dozen of another.
A Perfect Marriage: I wonder if Mr. King deliberately went boy-girl-boy-girl on the arrangement of these stories. Like Tess in Big Driver, Darcy finds herself in the middle of the trauma of a lifetime. Interestingly enough, like Tess, she also decides what to do or what not to do based on "what would the neighbors think?" I wonder if that's a coincidence. I think Tess and Darcy would understand each other just fine. Looking over all the stories, I think this is the one that satisfied me the most from start to finish. Any way I can think of to elaborate on that is a spoiler. Almost anyone who has been married a while will understand where Darcy is at in her marriage right before it all comes crashing down.
There was a story called Button, Button by Richard Matheson "back in the day" which was made into a Twilight Zone (the eighties incarnation of TZ) with a different ending. It was also the inspiration for the wildly divergent Cameron Diaz movie, The Box. The short story -- and if you're going to ever read it, stop reading THIS now -- ends with the line "Did you really think you knew your husband?" Darcy can relate and good question -- does any human being know another human being? After reading Perfect Marriage I made it clear to my husband I was on the look-out for secret cubby holes.
Bottom line, loved this, loved all the stories, best King I've read since -- wait, does Joe Hill count? -- I don't know when. The stories will stick with me and join the other King stories and memories. I know there's a battle over price right now. I don't rate books on price, because I figure you can see that for yourself and I want to tell you something you don't already know. I respect that others do feel that some ebooks are over-priced and I agree that we all have to make decisions on what we will and will not pay. I felt this was worth the price, which could be entirely different by the time you read this, and think this is some really impressive work whether you shell out the cash now, wait for the price to lower, or visit your library.
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