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| 1. The New Jim Crow: Mass Incarceration in the Age of Colorblindness by Michelle Alexander | |
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Editorial Review As the United States celebrates the nation's "triumph over race" with the election of Barack Obama, the majority of young black men in major American cities are locked behind bars or have been labeled felons for life. Although Jim Crow laws have been wiped off the books, an astounding percentage of the African American community remains trapped in a subordinate status--much like their grandparents before them. In this incisive critique, former litigator-turned-legal-scholar Michelle Alexander provocatively argues that we have not ended racial caste in America: we have simply redesigned it. Alexander shows that, by targeting black men and decimating communities of color, the U.S. criminal justice system functions as a contemporary system of racial control, even as it formally adheres to the principle of color blindness. The New Jim Crow challenges the civil rights community--and all of us--to place mass incarceration at the forefront of a new movement for racial justice in America. Reviews
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| 2. The Poisoner's Handbook: Murder and the Birth of Forensic Medicine in Jazz Age New York by Deborah Blum | |
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Customer review from the Amazon Vine™ Program (What's this?) I love reading about famous crimes, medical oddities, and cases solved by forensics. This book has them all, and is every bit as entertainingly well-written as my old favorite, THE MEDICAL DETECTIVES. by Berton Roueche.
Better yet, the title, THE POISONER'S HANDBOOK, is not just hyperbole. In describing famous New York City crimes committed with poison, the author discusses the chemical makeup, toxic effects, and early-20th-century sources of (1) chloroform, (2) methyl alcohol, (3) cyanide, (4) arsenic, (5) mercury, (6) carbon monoxide, (7) radium, and (8) thallium. In reading this book, you will probably find that there is a lot you thought you knew but didn't really know about well-known poisons frequently encountered in mystery novels and television shows. Did you think that fast-acting cyanide delivers a "one whiff, you're done" death? Think again! Did you think that only Skid Row bums drank wood alcohol during Prohibition? Not so! Did you know that Marie Curie died of radiation poisoning? Probably, but did you know exactly how radium works in the body to produce aplastic anemia and death? In reading this book, you will also learn about pioneering forensics efforts that required the grinding up of large samples of brain and organ tissue prior to laboratory testing. (In the early 20th century, testing was done with "wet" chemistry; today it is done with "dry" chemistry that only requires smears for testing.) The testing itself required many time-consuming steps and tricky procedures. Some of the testing involved tissue samples that were retained in room-temperature containers for weeks and months. The book also tells the story of three great pioneers in forensics science--NYC medical examiner Charles Norris, his chief chemist, Alexander Gettler, and New Jersey medical examiner Harrison Martland. Norton and Gettler lobbied tirelessly against Prohibition, which caused countless deaths from bad booze (renatured industrial alcohol), and against other toxic commercial products sold for hair removal, better-looking skin, and generally improved health. Martland did important research into the effects of radium on factory workers who painted radium watch dials, and also lobbied against the sale of radium-laced health elixirs, such as Radithor. Some of these toxic products actually worked--until they succeeded in poisoning the user. Although the book is an easy read, it is well-researched, and includes footnotes describing the author's sources. (My advance review copy did not include footnote numbers within the text, but presumably the numbers will appear in the final printed book.) The book also includes a useful bibliography of scholarly works on forensic toxicology.
Customer review from the Amazon Vine™ Program (What's this?) Police work has always included an element of an arms race between criminals trying to outwit authorities and get away with a crime and police trying to prevent this from happening. This battle of wits is especially true in the case of murder. Science in the latter part of the 1800's had exponentially added to the store of chemicals whose use could prove to be fatal to humans. Science was great at finding all sorts of new elements and chemical compounds. The problem was that science was not always good at seeing if these new discoveries were safe around people, and there was no shortage of people who were willing to explore the lethality of these new chemical. It is against this "golden age of poison" that Blum builds her history. Through the dangerous poisons (chloroform, arsenic, mercury, cyanide, radium and wood and grain alcohols) active in the early twentieth century New York City she tells the story of Charles Norris and Alexander Gettler, who are arguably the fathers of the modern Medical Examiner's office and of forensic science. Set against the backdrop of the hubbub of New York City as a growing city, a center of society and money, and as ground zero in the social experiment of Prohibition, Norris works to advance the medical examiner's office from a position of patronage to Tammany Hall to an office integral to the solving of crime and building a knowledge base for civic health information. Norris would be the driving force of change trying to build a modern department built upon science, as well as be a Cassandra warning about the coming dangers of Prohibition in terms of public health as drinkers, cut off from their normal alcohol, would turn to poisonous wood alcohol drinks, despite the government's attempts to render industrial wood alcohols poisonous (denatured). Meanwhile Gettler, the meticulous toxicologist continues experimenting to test and discover new ways to identify and test organs and tissue for the presence of poisons - the better to convict poisoners.
Each chapter revolves around cases encountered that involved the particular poison, covering the two decades between 1915 and 1936. A recurring theme of the chapters is how society focused on the triumph of the industrial age, blasting ahead with new chemicals without worry or heed to potential health effects. Cyanide gas would be freely pumped into areas to rid buildings and ships of rats and other pests with little regard to the dangers should the gas seep up pipes to inhabited areas on the floors above, or the danger to sailors in fumigated ships that had not had the gas fully ventilated from below decks. Arsenic, mercury compounds, cyanide compounds and thallium were all generously available for purchase as rat poison, cleaning agents and for, often dubious, medicinal purposes. But what could be a benefit to society could also very quickly become deadly when used incorrectly or illicitly. Glow in the dark radium watch faces were a boon that came from necessity in World War I, but the need to `retip' the radium paint brushes by using one's lips introduced radium poisons to the factory worker's bodies, eating them from the inside out. It fell upon science to prove these poisonings were often deliberate, and may be a result of a crime. Toxicology searched for ways to detect even minute traces in the body after death, and to determine how long this telltale trace lingers in the body after death and burial. It was up to the medical examiner's office to take their research and package it for juries to understand in order to obtain a conviction. This took time, dedicated research and effort of Norris, Gettler and many others. Today, with crime procedure shows such as CSI the norm it is amazing to think that the structure, procedures and values of these kinds of investigations is only 60-80 years old. This book is a blend of several stories - part history, part science and part sociology. The book also points out how attempts from some areas of government to remove poisons from the lives of citizens came up against other government efforts to remove one large `poison' from people's lives only to force them to seek out even deadlier poisons in Prohibition. The result is a very readable account of the government at some of its best and its worst in regards to the safety of the public.
Customer review from the Amazon Vine™ Program (What's this?) I love true crime books. I find it fascinating to read about crimes that really happened. I know that makes me weird, but so be it.
For a person who has similar (morbid) tastes, "The Poisoner's Handbook" perfectly fits the bill. These crimes take place in New York City during the Jazz Age. The author carefully describes various poisons, such as wood alcohol, arsenic, and radium and the various effects it had on the victims. If your knowledge of poisons is based on tv shows or movies, you will be surprised to find out a lot you (probably) didn't know already. As you can guess, forensic science was in its infancy at the time. This book focuses on Charles Norris, the New York City coroner, Alexander Gettler, Mr Norris' lead chemist and Harrison Martland, the New Jersey coroner. These people are for real, not like the old "Ouincy, ME" television show of long ago. When you see old movies of people drinking "bathtub gin" during Prohibition, it looks so carefree and fun. But it wasn't. Many deaths were caused by the "hooch" that was made from renatured industrial alcohol. It wasn't a pretty death, either. It makes me wonder why anyone would be willing to take the risk of drinking homemade booze, but plenty of people did it, I guess thinking "It won't happen to me". When you see what types of ingredients were in the common ordinary household items, you will wonder how anybody managed to stay alive in that type period. You think toxic products are bad now, when you read this book, you will be surprised how far (or maybe not) we have come. One of the more interesting sections (to me) was the part about radium. You wouldn't think of ingesting a radium laced "health elixir" now. But it was very common during that time period. It also made me think of the F. Scott Fitzgerald short story, The Diamond as Big as the Ritz. It makes me wonder what happened after the end of the story. I had heard the story of the radium watch factory workers from my father. I was pleasantly surprised to see it told in full in this book. It seems somebody might have thought about the possibility of poisoning in the factory workers, but apparently the company didn't realize what radium is capable of doing. I strongly recommend this book for any fans of true crime or the "CSI" roster of shows. It's a great read and you will learn a lot about poisons,
Customer review from the Amazon Vine™ Program (What's this?) Alexander Gettler "positively hated the idea that some poisoner off the street could outwit him." No other city in the United States in the early 1900's had a toxicology lab. Gettler was hired to design the lab and invent the methods for analyzing poisons. He was the perfect man for the job.
"If research methods didn't exist, he would develop them himself. If a new poison or drug came on the market, he went off to a butcher shop, just around the corner from his Brooklyn home, and bought three pounds of liver." Poisoners during this time were hard to catch and even harder to convict in a court of law. The science of toxicology was so new that it seemed to many jurors to be nothing more than conjecture so a person guilty of poisoning could easily walk free. Gettler worked tirelessly at his work and his paper, "The Toxicology of Cyanide," was so thorough and accurate that it was referenced into the 21st century. Deborah Blum writes thoroughly about a fascinating subject. Her writing remains interesting while still including the more technical chemistry involved in toxicology. Blum recounts some of the more notorious cases like Typhoid Mary and introduces us to America's Lucretia Borgia, Mary Fanny Creighton, who continued to haunt Gettler for twelve years after her 'not guilty' verdict in the murder of her brother and mother-in-law. Or Eben M. Byers, a fifty-two year old millionaire, industrialist, athlete and social elitist, who enjoyed his health drink, Radithor while his bones were mysteriously splintering, his skin was yellowing and his kidneys failing. He drank over a thousand bottles of his health drink never imagining that the radium-based drink was his killer. "This is a poison. Warn Everyone." Gettler's message to doctors after realizing wood alcohol was responsible for the severe weakness and abdominal pains, vomiting, blindness, heart failure and death. Used as a substitute during Prohibition, wood alcohol often caused blindness and death. Wood Alcohol, radium, arsenic, mercury, carbon monoxide, ethyl alcolhol... it's a wonder anyone lived a long life with these poisons freely available and often freely dispensed. This is a very captivating book for the reader with an interest in science and history.
Customer review from the Amazon Vine™ Program (What's this?) Until reading this book I had never given any thought to how forensic medicine started. I had no idea that in the early 1900's our country was not as advanced as European countries in it's efforts to use science to make definitive determinations of the causes of deaths. The author begins the book by explaining that medical examiners were elected in NYC at the turn of the century, and the Tammany Hall system resulted in incompetent and corrupt medical examiners holding the office. A reform movement resulted in the establishment of an ME's office that not only operated respectably, but that undertook cutting edge research in order to come up with methods to determine if people had been poisoned. The book is arranged in chapters for the major types of poisoning of the early 1900's.
This book does NOT read like a textbook. The author provides you with the political and social picture, and also the personalities of the various doctors who developed the tests to determine poisons as well as the vicitms and the perpetrators. One historical point I had been totally unware of was that doctors pushed for repeal of Prohibition. During prohibition there was a dramatic increase in the number of people dying due to deadly concoctions sold by bootleggers. In addition, the U.S. government required manufacturers to add some horrific chemicals to products that had alcohol in them but were not meant for drinking in an attempt to prevent people from drinking them. Alcoholics drank those products anyway, with terrrible consequences. One of the saddest chapters was about radium. In WW1 soldiers needed watch faces that could be read in dim light or darkness. It was discovered that radium glowed and was good for this purpose. Women in a factory in New Jersey used their mouths to wet paintbrushes they dipped into radium for painting those numbers. In addition, the factory air had a dangerously high level of radium in it. As a result, these women had heavy exposure to radium. Radiation poisoning sickened and ultimately killed them and some sued and won a settlement from their employer. There were also companies selling water containing radium as a health drink. Sadly, it wasn't until a well known and wealthy NYC man died (from consumption of radium drinks) that any effort was made to outlaw products containing this deadly substance and force companies to protect their workers from it. The author obviously did a lot of research for this book, and did an excellent job in providing simple but full explanations of the science. I don't give a lot of books 5 stars, but this one absolutely deserves it.
Customer review from the Amazon Vine™ Program (What's this?) On seeing the description of this well written, extensively researched history of forensic chemistry by a Pulitzer Prize winning science journalist I was hoping that I could exercise the well-worn expression "reads like the best fiction"; instead this is a book of historical vignettes of developments in toxicology and forensic chemistry that is exquisitely researched, clearly described and placed in interesting and accurate contexts; but, in my inexpert opinion it lacks the fiction-like attributes of a scientific history like Jennet Conant's "Tuxedo Park". The writing is lucid, non-technical and interesting, and great effort has been placed in developing its scientific and historical accuracy, but the case studies and the criminal incidents which it describes in developing the context of toxicological breakthroughs do not read like mini-mysteries. I would certainly have been pleased with this excellent work if I were looking for a history of forensic chemistry describing the development of particular techniques organized around the assays developed to detect particular compounds and poisons; as I was also looking for well-developed short mysteries based around these historical developments I was slightly disappointed with this otherwise masterful work of science journalism.
--Ira Laefsky
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| 3. On Killing: The Psychological Cost of Learning to Kill in War and Society by Dave Grossman | |
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Grossman's argument is carefully researched and methodically laid out. He begins by filling in some historical details, discussing the statistics for shots fired per soldier killed for the World Wars and the American Civil War. It's a refreshing and enlightening look at war that dispels a lot of misconceptions. An average solder in those wars was extremely reluctant to take arms against fellow humans, even in cases where his own life (or the lives of his companions) was threatened. Not to say that any of these people are cowards; in fact, many would engage in brave acts such as rescuing their comrades from behind enemy lines or standing in harm's way while helping a fellow to reload. But the ability to stare down the length of a gun barrel and make a conscious effort to end a life is a quality that is happily rare. The book continues on then, detailing what steps the US Army took to increase the percentage that they could get to actually fire upon their enemy. By studying precisely what the soldier's ordinary reactions were, the officers were able to change the scenario of war in order to avoid the most stressful of situations. The soldier found up-close killing to be abhorrent, so the emphasis was countered by inserting machinery (preferably one manned by multiple soldiers) between the killer and the enemy to increase the physical and emotional distance. Every effort is made to dehumanize the act of killing. Grossman spends a great deal of time discussing the trauma that the solder who kills faces when he returns to civilian life. Nowhere is this more apparent than in those veterans who returned from Vietnam. Those soldiers had been psychologically trained to kill in a way that no previous army had gone through, and there was no counteragent working to heal their psychological wounds. Grossman takes great pains to discuss how horrifying the act of killing is, and points out how detrimental it is to one's mental health. When the Vietnam veterans returned home to no counseling and the spit and bile of anti-war protestors, the emotional effect was astounding. Most of Grossman's thesis is supported by in-depth interviews and psychological profiles, but it is the story of the Vietnam veterans that comes across as the most disturbing. Much of the chatter about this book seems to revolve around the final section, the discussion about our own civilian society. While this is understandable, I actually preferred reading the earlier portions, simply because they opened my eyes to a lot about the military that I had been previously ignorant of. I think it would be a mistake to concentrate solely on the argument's conclusion as it rests heavily on the case that has been building. In any event, the book eventually develops its final conclusion: the methods that the military uses to desensitize its soldiers to killing are also being used in our media, but without the proper command structure that keeps people from killing indiscriminately. In a military situation, firing a weapon without proper authorization or instruction is a very serious offense, and this is drilled into the mind at the same time as the desensitization. Without this safety, there is nothing to hold back the killing instinct, and this is one of the main reasons why the homicide rate has increased so dramatically. Now, I'll say right off the bat that I was partial to this line of argument before I read the book; I think that children repeatedly exposed to such images would almost certainly become blas� towards extreme violence. But Grossman's book gave me so much more to think about. It isn't just a Pavlovian force at work here; Grossman points out many reasons (both stemming from society and the changing family structure) for why young people of today seem much more able to kill than their parents and grandparents were. I was honestly surprised at how strong of a writer Grossman is. He manages to put forth his argument without boring the reader. By its very nature, a lot of what he discusses is repetitive and disturbing, but the subject matter is so compelling that I didn't mind. Grossman is very logical in his approach and his argument is a powerful one. I highly recommend this book, especially for people like myself who have never experienced war at close quarters. The summary I (and others here) have given is simply not nearly adequate to capture all of Grossman's thorough contentions. ON KILLING made me think harder about a subject that I hadn't given a lot of thought too before. The information and research here is invaluable.
Remember the steely-eyed warriors who descended on Normandy, Anzio, Guadalcanal, and a host of other blood-soaked battlegrounds during World War II? Only one in five of these combat infantrymen were willing to fire their rifles. Shocking? Surely, given the popular depiction of our fighting men. But military training has never been able to fully eradicate the innate resistance of killing one's fellow man amongst the common soldiery. Yet we're getting better at it, with disturbing implications for our society. Grossman's data shows that the current crop of soldiers, raised on graphic violence in movies and video games, is much more willing to slay the enemy. This is undoubtedly a good thing from a purely military point of view. However, the cost is a consequent desensitization to the suffering of friend and foe alike, and psychological trauma which lasts long after the firing stops. The introduction of women into combat situations has not slowed the inexorable trend toward a more savage soldier. During training to endure potential captivity as prisoners of war, male soldiers are taught to conquer their natural tendencies to protect females through an active desensitization process (a soldier is a soldier, whether male or female; we all signed up for this, etc.) What impact this has once these brave men return to society is uncertain, but you can bet that one cannot turn their humanity on and off like a light switch. A profound and disturbing study which belongs in every library.
I admit, I was skeptical, but during research for an article on violence in the schools, I came across the colonel's book, "On Killing". After reading it, I became a convert. The comparison of the military's usage of operant and classical conditioning techniques with the psychological effects experienced by juveniles when they observe violence - or participate in it, in the case of interactive shoot-'em-up video games - was quite enlightening. Col. Grossman brought a fresh perspective to the debate and convinced me to rethink my original opinion. Of course, his theory wouldn't hold unless he could prove that humans, by nature, are unable to kill other human beings unless trained and psychologically conditioned to do so. I believe he did prove this point. Simplistic solutions such as instituting media criticism courses, turning off the TV or banning guns won't stop the killing because they don't get at the core psychological problems and they don't address the enabling factors that are co-conspirators in juvenile violence. Listen to this man.
Yet the book has significant short-comings. First is Grossman's lack of proper citation, footnotes, and supporting evidence. Time and again Grossman quotes experts or refers to people and studies but never gives the source. Grossman makes the error of assuming that his audience is as familar with this topic as he is. At one point, Grossman tells of a meeting with a mysterious Dr. Narut who reveals assassin training techniques taken right out of A Clockwork Orange, yet Grossman gives no other evidence to support this. These are elemental flaws in scholarship and rhetoric, and are the kinds of things that would not be tolerated in college research writing. The Korean War (or Conflict if you want o be politically correct) is another problem. Grossman explains that during WW II only 15 to 20 percent of soldiers actually fired. By Korea this percentage was 50 to 55 percent, and by Vietnam it was 90 to 95 percent. My dispute is not with Grossman's numbers, but with the fact that aside from this statistic, the Korean War is barely mentioned, and its soldiers are never associated with the problem of PTSD. The other, and most important, problem with the book is Grossman's reasoning behind the increase in violence in today's world, America in particular. Essentially, Grossman blames the media, television violence, Hollywood, and video games. His reasoning is akin to that against violent comic books in the 1950's when they were seen as being responsible for the rise in teenage crime. Grossman argues against the anti-hero of today's movies and against violent monster movies such as Friday the Thirteenth. He argues that violent video games condition teenagers just as military training conditions soldiers. Yet he gives no evidence to support his point of view. He cites not one study or even a magazine article to help him (oddly enough, if he had read King's The Danse Macabre, King's textbook on horror from 1950 to 1980, he would have found at least anticdotal evidence). And while he is trying to make this part of the book the crux of his entire argument, he fails miserably because he displays no knowledge or understanding of contemporary American culture or film history/theory and where such characters as the anti-hero derive from. In effect, Grossman comes off as a Nancy Reagan clone, with a "Just say no!" attitude that offers no real insight into why violence has increased, or how to deal with it. Where Grossman wants to hit the target the most, he misses far wide of the mark.
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| 4. The Innocent Man by John Grisham | |
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| 5. The Killer of Little Shepherds: A True Crime Story and the Birth of Forensic Science by Douglas Starr | |
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Customer review from the Amazon Vine™ Program (What's this?) From 1894 until 1897, the quiet French countryside became the hunting ground of Joseph Vacher, a murderous psychopath known as "The Killer of Little Shepherds" who, like Ted Bundy a century later, would begin his life's work after being rejected by the woman with whom he was obsessed. Author Douglas Starr has written a riveting book of enormous scope, masterfully detailing both Vacher's case and the concurrent first "golden age of forensic discovery." He focuses primarily on Dr. Alexandre Lacassagne, France's leading expert in the field of legal medicine and professor at the University of Lyon, who played a crucial role in bringing Vacher to justice, and who mentored and inspired countless other scientists and students to pursue a wide variety of disciplines in the burgeoning field of forensics. Many important investigative techniques emerged during this time--the use of body measurements to identify and track captured criminals and suspects, the identification of bullets through the unique rifling marks made by individual firearms, the microscopic examination of hairs, fibers, and blood types, the analysis of wound and blood-spatter patterns--all of which form the basis of modern forensics. In addition to such purely scientific advances, the nature, cause, and appropriate treatment of insane persons in general and insane criminals in particular was being passionately debated all over Europe and in the United States. What to do about, and with, a violent offender who was deemed insane was at the forefront of jurisprudence, as was the question of what determines legal insanity--the court's answer to which would ultimately decide Vacher's fate. In alternating chapters, Mr. Starr reveals the life histories of his two main protagonists, illuminating the horrific crimes of the one and the crime-solving genius of the other, until Vacher is caught and the two men's careers intersect, impacting the lives of both.
This comprehensive, elegantly written book covers not just Vacher's crimes, but other interesting cases which challenged the expertise, talent, and instincts of Laccasagne. It sets the scene with plenty of background, from the explosion of crime rates in France (and elsewhere in Europe) as Industrial Revolution technologies displaced laborers, creating a wave of vagabonds who migrated from one area to another in search of work and charity, to the difficulties created by the lack of an organized rural police force to meet the challenges of this onslaught of "undesirables." As rural France tried to cope with these huge numbers of "wild men," those who tended to criminality often evaded capture or prosecution--Vacher was able to evade detection for three years, despite often daily interaction with the citizenry. During those years he walked nearly from one end of France to the other, killing as he went. Rural doctors, too, were fighting an uphill battle--often inadequately educated and working in conditions that made even a high degree of competence moot, the probability of getting reliable information about the state of a body from either the crime scene or the postmortem was regularly compromised. In an attempt to combat this problem Lacassagne prepared and distributed a step-by-step protocol for forensic autopsy, but the ability to follow these steps was often destroyed by those very conditions his protocol was meant to counteract (one important autopsy done on one of Vacher's victims was performed at night, by lamplight, in the middle of a misty field). Mr. Starr traveled to the remote areas where Vacher's crimes were committed, saw many of the exhibits he describes, spoke with descendants of Dr. Lacassagne, and observed many, rather grim, forensic autopsies. His prose is so rich with detail that the reader is immersed in the experiences of the protagonists--this is not a book researched from the author's computer or armchair. There are many interesting sidebars, including an amusing debate about a skull allegedly belonging to guillotined assassin Charlotte Corday and the significance of its physical characteristics, as well as a lively discussion by the scientists of the day about the methods of the fictional, and wildly popular detective, Sherlock Holmes. A detailed description of of Lacassagne's Criminal Museum is illuminated by several pages of photos and drawings of its exhibits, and pages from the newly emerging penny press (the start of the "yellow journalism" that continues to wreak havoc with investigations and trials today) are reproduced. All of this attention to the mise-en-sc�ne in which Laccasagne and his colleagues worked brings events, as well as time and place, vividly to life. Throughout, Mr. Starr evinces real feeling for his subjects, even the violent and self-aggrandizing Vacher. This is a book filled with strongly drawn characters--criminals and investigators alike--whom Mr. Starr never forgets were real people, especially those whom Vacher killed. In many such accounts the victims of such violent deaths remain mere ciphers, but in "The Killer of Little Shepherds," those little shepherds are clothed in real flesh, and their dignity remains intact.
Customer review from the Amazon Vine™ Program (What's this?) The Killer of Little Shepherds is a very engaging blend of early forensics methodology and the story of one of the worst serial killers in history. Although admitting to eleven gruesome and grisly murders, nearly twenty-five murders were attributed to Joseph Vacher of France. The governmental establishment, due to idiosyncrasies and communication breakdowns, allowed Vacher to be released from an asylum and even from a jail cell because they had no idea who (or maybe what) they had captured. Vacher thanked God (as he believed that God was watching over him) and went out and killed again and again.
Douglas Starr nicely mixes in the advances in the field of forensics (called Criminal Anthropology at the time) as it pertained to the investigation of Joseph Vacher and other murderers at that time. Doctor Alexandre Lacassangne was Vacher's arch enemy and continued to advance forensics from a police department of bullies beating and torturing their captives into a confession to a more scientific based discovery. There are explanations and examples of how the police would accuse a suspect of a crime with absolutely no evidence at all. Dr. Lacassagne's efforts were to find the scientific methods that would allow a non-emotional examination of the facts leading to a suspect. The case of Joseph Vacher was Dr. Lacassagne's showcase. I was impressed with the author's ability to carry the story of Vacher as he interwove the science and psychological breakthroughs in that era. It was amazing to learn about the French leaders in forensic science. This book brings a look at just how many stellar performers in that era were French. The last sections of the book concentrate on the discussion of when a person is actually responsible for his/her actions - criminally insane. Joseph Vacher insisted that he was insane and that he was not responsible for his crimes. Again, the Vacher case was perfect for this discussion and Starr presents the case without any agenda. I would definitely recommend this book to anyone that is interested in history of forensic science and how it related to one of the greatest trials of one of the worst serial killers of all time. Starr is extremely well researched and writes with absolutely no preconceived conclusions or any agenda. The concepts in this book are controversial (death penalty, criminally insane, preconditioned criminal dispositions, etc.) and were handled with expert skill.
Customer review from the Amazon Vine™ Program (What's this?) Set in 1890s France, The Killer of Little Shepherds contains two simultaneously-told stories. First, there's the account of Joseph Vacher, who roamed the countryside of France and left only gruesome death in his wake. The second story is that of Alexandre Lacassagne, head of the department of legal medicine at the University of Lyon, who pioneered many forensic techniques in the areas of crime-scene and post-mortem analysis, and was what we would now call a criminal profiler.
Starr begins his story with army Sergeant Joseph Vacher's full-on obsession with a young woman named Louise Barant, a housemaid. After only one dinner, Vacher proposed marriage, and then later told her that if she ever betrayed him, he would kill her. She tried to avoid him and put up every reasonable excuse for not seeing him, but it didn't help. On a four-month leave from the army, Vacher came after her, she refused him, and he shot both Louise and himself. Both survived, and Vacher was put into two different asylums for a total of ten months, then released. With really nowhere to go, Vacher became a vagabond. As he wandered the countryside, he committed the most heinous crimes, with young shepherd boys and young women favorite targets. Because he would wander from department to department, by the time the crimes were discovered, he would have been long gone, thus avoiding detection. Starr then interweaves his account of Vacher with the story of Alexandre Lacassagne, who was a pioneer in the study of forensic methodologies, including criminal profiling. He also discusses others in the field of criminology including Alphonse Bertillon and Cesare Lombroso, and explains developments in science and psychology that aided in the advancements of legal medicine and crime detection. He also examines the phenomenon of "vagabondage," noting the correlation between unemployment, the increase of people on the move, and the correlating upswing in crime. Both strands of this book come together when Vacher is caught, imprisoned, and sent to trial, leading to some pretty major questions. For example, was Vacher insane at the time he killed, or was he perfectly rational? And what exactly legally constituted insanity? Is there any way to know if insanity is based on physical causes? What type of punishment is suitable if a murderer is found to be insane? Many of these questions sparked international debates, but they also led to further developments in the field of psychology, which was growing rapidly, as was the gap between medical science and legal codes. And when a person is known to be a "monster," even if he is insane, how can the legal system justify putting him in an asylum where, if he's crafty enough, he'd fake being well and be let out to kill all over again? Starr expertly catches the era surrounding the crimes of Vacher and the work of Lacassagne and others. He acknowledges work being done in other countries around the same time period, such as Italy, the United States and Great Britain so as to broaden the scope of developments in the science of criminology. He also examines other crimes as well as the limitations of the local rural police departments in the capture of criminals. I got very caught up in Vacher's story, and I liked the book. The early efforts focused on forensics and criminal profiling are really interesting, and if you're into this kind of thing, you'll be rewarded. It's quite obvious that Starr contributed immense amounts of original research to the production of this work. The stories of Vacher's victims are also lurid enough so that if you're not interested in the field of forensic study, you'll still find something in the book that will interest you. I do think he could have done without the "postscript" chapter and gone right to the epilogue, but that's nit picky on my part. Overall, it's a good book that will keep you reading.
Customer review from the Amazon Vine™ Program (What's this?) After I read this book I thought, the more things change the more they remain the same. We are fascinated with serial killers today, and we were fascinated with them over 100 years ago when Joseph Vacher went walkabout thru the lovely and idyllic French countryside. Mr. Starr covers all the angles.....newspapers tripping over themselves to sensationalize the circulation-boosting story; courtroom outbursts and shenanigans by the defendant; the ineptness of the local police; fear and false accusations before the actual killer was caught; the birth of modern forensics and the infighting between scientists who had different philosophies (the old nature vs. nurture debate). The author doesn't miss a trick, and the book is beautifully written. Not dry but not sensational, either. You'll notice that I put the word disturbing in my title line. This book is disturbing on many levels. It is scary that Joseph Vacher could walk from place to place and get away with so many murders. Your first thought is, well, this WAS over 100 years ago. But then you stop and think about modern serial killers who also go unnoticed and unapprehended for years and years. It is also scary that a fellow human being could be this disturbed. Vacher didn't just kill people. He mutilated them and sexually abused them as well. If we could write him off as "just a nut" I suppose it wouldn't seem so bad. But Mr. Starr quotes extensively from Vacher's poems and letters and he was clearly a sensitive, observant and intelligent man. Sometimes. He was also most probably psychopathic and schizophrenic, wildly unpredictable, devious and manipulative. He was "crazy" but was also aware that he was doing "wrong" and he tried to cover his tracks. That's why he was held legally responsible for his actions. But as Mr. Starr points out, if a person can't control their urges even when they know those urges are wrong, should they be treated as criminals or should they be treated as mentally ill? It was a difficult question 100 years ago and it is a difficult question today. Whatever your views on the subject, I urge you to read this excellent, thought-provoking book.
Customer review from the Amazon Vine™ Program (What's this?) Between 1894 and 1897, vagabond Joseph Vacher drifted through the high country of France, murdering young village women and young shepherd boys as he travelled. His crimes fit a pattern: the victims were attacked in isolation along roads, their throats were slit, their bodies were horribly mutilated, and their corpses were hidden under nearby bushes or rocks. After each murder, Vacher simply walked away, avoiding arrest because local police jurisdictions (departements) had not learned to share information about horrific local crimes.
This is mostly a true crime account of Vacher's atrocities, with some history of forensic science thrown in. There is much biographical information about serial killer Vacher, criminologist Dr. Alexandre Lacassagne (who provided medical testimony at Vacher's trial), and prosecutor Emile Forquet (who finally arrested Vacher after collecting information about the crimes from multiple departements). The forensic science background discusses (1) Lacassagne's guidelines for detailed autopsies to determine causes of death; (2) Alphonse Bertillon's system for identification of criminals through measurements of body parts (a system that was used before the development of identification through fingerprints); (3) Cesare Lombroso's theory for identification of "born criminals" by skull shapes and other bodily features (a theory now thoroughly disproved); and (4) scientific attempts to understand and determine physical causes of criminal behavior through dissection of brains of well-known criminals (e.g., Vacher) and intellectuals (e.g., Paul Broca). For me, the most interesting chapters were the ones that recounted details of Vacher's trial. (A "bench" trial, not a jury trial, because the French legal system differs from the British/American system.) Vacher raised an unsuccessful insanity defense, claiming that he had been prematurely released from an insane asylum, and that his crimes occurred during rages provoked by a bullet lodged above his ear. The persuasive medical testimony regarding Vacher's sanity, presented by Lacassagne and other scientists, carried the day. There is also some intriguing discussion of the advantages of using the guillotine as a form of humane execution, especially as compared to early executions by electrocution.This book rates 3.5 stars, rounded up to 4 stars because of the scholarship, even though it is somewhat repetitious, and slow-moving at times.
Customer review from the Amazon Vine™ Program (What's this?) This was a book I wasn't expecting much from. I've found books of this type are usually quite dull - but not "The Killer Of Little Shepherds". I was involved from start to finish, and you probably will be as well. Recommended.
Customer review from the Amazon Vine™ Program (What's this?) On December 31, 1898, in the town of Bourg-en-Bresse, France, 3,500 spectators watched a guillotine separate mass murderer Joseph Vacher from his head. 29 years old, Vacher had been tried and convicted of only one of eleven brutal murders to which he confessed, but there were probably another 14 also committed by him across France between 1894 and 1897.
The youngest of 15 children, Vacher led a troubled childhood, with early indicators of a tendency to pointless violence. He was notably devout throughout his life. At age 15 Vacher even offered himself for membership to the Catholic Marist Congregation in its famous house at Saint-Genis-Laval. After probation, his superiors judged him unsuitable. He joined the army, became a sergeant, noted for his violent temper. Over ten months not long before his serial killing spree, he was in and out of two insane asylums for the attempted murder of a girlfriend and for his own attempted suicide. He was officially judged cured, no danger to society, and released. Toward the end of his killing spree, Joseph Vacher made a sort of religious pilgrimage to Lourdes and consistently attributed his frequent escapes after murders or attempted murders to direct protection by God. An autopsy showed evidence of venereal disease. Although a rapist, Joseph Vacher was sexually sterile (Ch.21). His face was hideously disfigured from a self-inflicted gunshot and he himself easily recognizable. Vacher nonetheless eluded capture for three years. His attacks on "little shepherds," on girls, boys, grown women and others less strong than himself showed evidence of planning, though no obvious motivation. Vacher himself claimed in prison and during his trial to be mad and in the grip of uncontrollable passion. He expected his jury to find him mad, not guilty of murder, and to return him to an asylum until cured for a third time. He lost. The case study of Joseph Vacher is convincingly embedded by Boston University Journalism Professor Douglas Starr in the great worldwide forensic science advances of the second half of the 19th Century. Vacher was hunted down by French magistrate �mile Fourquet, a serious student of the new forensic science. Vacher's culpability for his crimes and his feigning of madness was demonstrated at his trial by Dr. Alexandre Lacassagne, chair of the department of legal medicine at Lyon University. Lacassagne, along with Italy's Cesare Lombroso, led the most influential teams of doctors and scientists in Europe pioneering such fields as criminal psychology, forensic dissection, crime scene investigation and techniques for turning evidence into psychological profiles of killers and other criminals. These scientists and medical men all read Arthur Conan Doyle's novels of Sherlock Holmes. Their journals seriously criticized Holmes for not performing autopsies, for being a lone wolf rather than a team player and debated whether Holmes's methods were deductive or inductive. THE KILLER OF LITTLE SHEPHERDS is an elegantly written and vividly illustrated (16 pages of photographs) study of the world of vagabond serial killer Joseph Vacher and the mind-sets of the pioneers of that emerging forensic science that ran Vacher down and convicted him of murder. The book abounds in detail of the advances in using body parts to identify corpses. Thus, Bostonian Paul Revere, a dentist as well as silversmith and heroic rider of 1775, had identified the long buried body of a friend through an artificial tooth which Revere had implanted. The notes and bibliography of THE KILLER OF LITTLE SHEPHERDS are comprehensive and up to the moment. The book showcases contemporary debates about why some men become criminals, while most do not. Cesare Lambroso and the Italian School argued that predisposition to crime is genetic, innate. People are born murderers, rapists, pickpockets, etc. Alexandre Lacassagne and the French school of forensic medicine, by contrast, were not so sure, not so deterministic. At some level even criminals, including troubled souls like Joseph Vacher, retained free will and access to conscience. Their crimes had to be understood and their guilt mitigated by analysis of their upbringing, education, poverty, disappointments in love, the season of the year when a crime was committed and other societal and environmental factors. All of Europe's great crime theorists agreed, however, on two points: --people regularly lied, -- but on-the-spot evidence never lied. Even tattoos were seen by Lacassagne as "speaking scars." It is probably no coincidence that the model of teamwork among professionals, "The International Criminal Police Organization - INTERPOL," is today headquartered in Lyon, France. Suspect Vacher was brought to the Saint-Paul Prison in Lyon for interrogation. For decades Professor Lacassagne and his students and colleagues made the Univerity of Lyon the driving international power and unifying force in forensic medicine, crime scene investigation and related fields such as criminal anthropology and sociology. Coincidentally, I read THE KILLER OF LITTLE SHEPHERDS in September 2010 while cruising with a tour group on the Rhone and Saone rivers. Our 44-passenger boat, the MS Chardonnay, docked for two nights in Lyon. And my wife and I walked through streets along which Professor Lacassagne took his vigorous daily strolls. "On February 14, 1924, at the age of eighty-one, he left for his usual morning walk. He was approaching one of the bridges over the river when a car careened around the corner and struck him. ... (Lacassagne finally succumbed) on September 24" (Postscript). May Alexandre Lacassagne rest in peace and undying honor! Think of Lyon on the Rhone River as the Athens, the Vatican, the Jerusalem or the Mecca of modern, scientific police teamwork and of rational understanding of criminality. Historic Lyon is a proper home for INTERPOL. -OOO-
Customer review from the Amazon Vine™ Program (What's this?) Douglas Starr's THE KILLER OF LITTLE SHEPHERDS is a gripping, fast-paced, thorough account of the advent of modern forensic science. The book compares the career of Joseph Vacher, one of history's more brutal (and successful) serial killers, with that of Dr. Alexandre Lacassagne, the leading criminologist of the time. Simultaneously chronicling Vacher's crime-spree (covering over six hundred miles, several years, and numerous victims) with Lacassagne's methodology and progression through science, Starr paints a portrait of the era that is as bloody as it is enthralling.
Perhaps central to the book--its backbone--is the corruption of the era; in the rural French countryside (as elsewhere in Europe and America), criminals were convicted and executed as much on rumor as on solid evidence. This was how Vacher was able to evade capture for so long; and it is the heart of Starr's book, which suggests that we must pay attention to the details, and we must always--as Lacassagne was wont to say--doubt our convictions. A portrait of criminal science as well as criminal pathology, THE KILLER OF LITTLE SHEPHERDS is a pleasing, concise, well-researched foray into one of the turning shifts in criminology. Starr's style will appeal to both the forensics enthusiast as well as the casual reader, especially those interested in historical true crime.
Customer review from the Amazon Vine™ Program (What's this?) In the mold of true crime book that simultaneously tells another story unraveling in history, Douglas Star offers "The Killer of Little Shepards". It is not quite "The Devil in the White City" in its scope, but it still an impressive work.
For the most hardened fan of true crime, Starr brings Alexandre Lacassagne to the forefront. Among the father ofs forensic medical science, he was a man ahead of his time. Rivaled by those that saw crime as having biological origins similar to those based in eugenics, Lacassagne was a keen observer who marvel those of his time with his observations and the techniques he developed. Particularly impressive is the story of his successful identification of a corpse four months after death with the limitations of his time. Josepher Vacher is the parallel tale. It would seem simple to have incarcerated him permanently after he took the role of scorned lover to an extreme. But in this era, domestic disputes were viewed in a different light. The one sense of frustration that I had with the book was aligning the title with the story itself. It is not until a good portion of the book is passed that the author makes a connection. As with many modern works of true crime, it is easy to look at the events and believe the killer should have been stopped sooner. But in the present moment, the situation is not as plain. Vacher should have been caught on more than one occasion, but slithered out of trouble. "The Killer of Little Shepards" is a well researched and well written work that moves like a novel. For many, it will prove to be teacher of forensic science. It is a worthy reflection on a more primitive time of criminal investigation.
Customer review from the Amazon Vine™ Program (What's this?) THE KILLER OF LITTLE SHEPHERDS is receiving huge critical acclaim and it is very much deserved. Author Douglas Starr does what seems the impossible here. I am a huge fan of true crime when it is written well and with a purpose. I don't go for stories that are written just for the gore or sensationalism. We all know that murderers and serials killers exist in society and it is the workings of their mind and their mortivation that intrigues me. Forensic science is a huge part of solving crimes and establishing the who, what, when where and why. Shows like CSI make it all look a little too easy. This is a true science and here Starr provides us with the history of its beginning. We need to go way back to the late 1800s to do this. One of the most famed serial killers and earliest in history to be so well documented is frenchman Joseph Vacher. Through his crimes he is believed to have raped, killed and also mutilated at least 25 people. We are then introduced to the brave man criminologist Alexandre Lacassagne. I am dumfounded by how he took it upon himself to study and research thoroughly the crimes of this man thus beginning the actual science of forensics. This story provides all the historical presence and facts needed. It is very thoroughly researched asnd while providing the facts is so well written that it reads like a horror novel. There is some gore here but in all honesty it is necessary to get the full feel of the history that was taking place.
This book wiill appeal to fans of true crime but also to fans of history for this book is like a text book on the beginning of forensics. It is better than most true crime novels while providing so much more. The highest praise to Douglas Starr here. This book is a huge success and I highly recommend it. ... Read more | |
| 6. Discipline & Punish: The Birth of the Prison by Michel Foucault | |
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Editorial Review Reviews
Within five minutes of my residence there are two large Texas state prisons. The offenders incarcerated in these facilities exist in a network of interlocking disciplinary mechanisms, mechanisms that Foucault unveils in this book. The criminal justice system, the prison environment, the educational/training opportunities available during incarceration, parolee supervision, and the limited employment options on release all coordinate to encapsulate the offender's life. The offender's agency is significantly impaired for the balance of his life regardless of his domiciliary. I live in a master planned, suburban community subject to a detailed and lengthy list of deed restrictions. These deed restrictions dictate the colors that I can paint my house, the height to which my grass can grow, the type of trees that I can plant in the front yard as well as the insistence that I plant three trees in my front yard. My wife and I have had to paint the front door twice in the last four years to comply with homeowner association threats, and we have been chastised for offenses as "severe" as leaving a hose uncoiled for too long in the front yard. Now I admit that there is a modicum of agency in my decision to live in this specific community; however, just like the offenders incarcerated nearby, I live in a network of interlocking disciplinary mechanisms. I contend that my agency is also significantly impaired. The difference between my life and the offender's life is one of degree, not kind. This is the message Foucault communicates with both style and substance in this book. He identifies three means by which power works on each of us to coerce compliance with the standards of normality: hierarchical observation, normalizing judgment, and examination. The sad and simple fact is that surveillance is coercive. We might all see the public good in maintaining records of the offenses of the violent, but think for a moment about all of the records kept on you - telephone calls, financial transactions, medical tests and treatment, insurance claims, library check outs, video rentals, credit reports, credit card transactions, property ownership, internet sites, and tax filings. Hierarchical observation is a fact of modern life, and it seems to be steadily increasing. By normalizing judgment, Foucault is referring to the power inherent in all social expectations. Try applying for a job, a business loan, a home mortgage, or a graduate program, and you will quickly feel the power of normalizing judgments. Woe to the applicant who stands out as different! Rarely do those exercising judgment question their standards, and even more rarely do they make exceptions on an individual basis. The message is loud - conform or else. The last and perhaps most subtle power of normalization lies in the use of examinations. Even low paying professions (public school teachers, social workers, home day care operators) must attain licensure through examination. In Texas, third graders cannot be promoted to the fourth grade without passing a statewide exam. We endure the dominance of testing because of its presumed objectivity, but we all know that testing is not objective. Bias in design and in test conditions influence outcomes, and the testing continues despite an absence of evidence that it reliably predicts future performance. I think this book is brilliant and disturbing. It is not always easy to read, but then, what book worth reading is? Foucault is given to dramatic images, and he does little to mitigate the impact of these images on the reader. Perhaps he is really trying to increase this impact. Since he is attempting to counter the powers of normalization, he may need all of the momentum he can get.
Although the book traverses a lot of historical ground, Foucault's discussion culminates in an analysis of Jeremy Bentham's prison concept. Bentham, the founder of Utilitarianism philosophy, believed that individual rights are subordinate to the state. In fact, he went so far as to call them "nonsense on stilts." As long as the government protected its people and treated them decently, he did not believe that the polity could be accused of oppressing its citizen - be they convicts or otherwise. Thus, Bentham was the first philosopher to give the modern penal system its rational underpinnings. Today, we take it as a matter of course that those who do not conform to laws are trucked off to prison. But with this book, Foucault attempts to completely undermine our intuitive sense of what is right, what is coercive, what is rational, and ultimately what is true. Perhaps better than any other author out there, Foucault shows us the subtle madness of Western institutional logic. Foucault focused on Bentham's prison model, or the Penopticon as Bentham called it - which literally means, that which sees all. The Penopticon prison, which was popular in the early nineteenth century, was designed to allow guards to see their prisons, but not allow prisoners to see guards. The building was circular, with prisoner's cells lining the outer diameter, and in the center of the circle was a large, central observational tower. At any given time, guards could be looking down into each prisoner's cells - and thereby monitor potentially unmoral behavior - but carefully-placed blinds prevented prisoners from seeing the guards, thereby leaving them to wonder if they were being monitored at any given moment. It was Bentham's belief that the "gaze" of the Panopticon would force prisoners to behave morally. Like the all-seeing eye of God, they would feel shame at their wicked ways. In effect, the coercive nature of the Panopticon was built into its very structure. Discipline and Punish is still relevant for today, even though the Panopticon has vanished. For starters, the United States government now possesses the technology to view see and hear anybody on the face of the planet. In fact, just recently the FBI announced that they have the right (invested in them by the state) to monitor any phone conversations they deem a threat to national security. Furthermore, for the same reason, the CIA or the DIA may use high-tech satellite technology to monitor actions anywhere on the face of the planet. Currently, these satellites have the ability to spot and read the date off a dime in the street. These new technological developments have completely altered the meaning "gaze" in the modern context. In a very real way, we are all living in the Panopticon now. Moreover, Foucault would have never guessed the future of American prison systems. Today, Americans put more people behind bars than in any other country in the world, while public education, job training, and other resources that might potentially help people stay off drugs or out of crime in the first place are under funded. Furthermore, the vast majority of convicts who are released - many having been brutalized in prison - often end up behind bars again in no time, usually for small offenses involving drugs or petty larceny (that is, non-violent crimes involving property). Thirty years ago, when Foucault died, prisons were still run by the state. However, today prisons are increasingly being privatized and run as businesses, with the further benefit of huge government subsidies. The United States now prioritizes prison funding over education and rehabilitation - spending roughly 40 billion a year on operation and construction of new prisons. The prison industry is booming. Anyway, this book is a must-read classic. It will abhor you, enthrall you, and provide immeasurable food for thought. It drove me to ask questions about the nature of knowledge, history, and the evolution of a persecuting society. Controversial to the teeth, this work will definately activate all your higher faculties and blast you off on all sort of theoretical tangents. Once I started I couldn't put it down. As Foucault said himself, he writes "experience book," and I couldn't agree more. I highly recommend having this experience, if only for the sake of where it will land you. A final note for those who are interested... Oddly enough, Jeremy Bentham was not buried or incinerated like most people after he died. He willed his body to be preserved and displayed. It was dissected in a medical amphitheater at the Web Street School of anatomy in London, three days after his death. (By the way, this was illegal at the time. Only executed murderers could be dissected according to the law). His organs were then removed, and the original head replaced with a wax one. After being stolen by students as a joke, the real head is now kept in a safe in the College. The body, dressed in Bentham's own clothes, remains stuffed with hay, straw, wool, cotton and lavender to keep moths away. Since he was a founder of University College, Bentham is ensconced inside a glass fronted mahogany case (on casters), set unceremoniously in a busy hallway. He is regularly visited by scholars from all over the world, once went to a beer festival in Germany, and is brought to the table once a year for the annual Bentham Dinner. Amazingly, he was also trundled to the annual Board of Directors meeting for years, who still leave his old chair empty out of respect.
The present book showcases all of Foucault's interwoven, cross-disciplinary talents. F takes us on a tour of the history of punishment in France & Britain over the course of the past 250 years. Surprisingly enough, our modern day image of huge prisons simply did not exist before that period. The book grapples with the struggle of society to remain humane in a facet of life that is inherently inhumane: the treatment of our criminals. In doing so, F adopts the methodology utilized by Nietzsche in his "On The Geneology Of Morals." We begin with the most grotesque executions of a few hundred years ago & witness how the paradigm shift went from vengeance to reform re: our handling of criminals. F notes how the primary goal of the prison became one of making the prisoner paranoid that he was being watched, which would (hopefully) instill within him the understanding that he could not get away with violating rules (both inside the prison & also once he was released back into society). This is an extraordinary book that I would recommend to anyone who is interested in the judicial system, the history of the prison, or anyone who just has a curiousity about the social & political forces which decide the manner in which we mete out punishment to our malefactors. A great read.
Specifically, I would recommend Jurgen Habermas's critique of Foucault, although I now forget which book of his contains his critique. I would also recommend Goffman's "Asylums" and Sykes "The Society of the Prison" as works which can illuminate Foucault's oft dense prose. Foucault's main thesis is that the transistion of society into modernity has resulted in institutions which are increasingly devoted to the control of the "inmate's" time. The instituions use this control of time to develop discipline. Discipline is then used to both reinforce the strength of the instituion and also to expand the reach of institution's into the community. As other reviewers have noted, this book isn't really about Prisons. Rather, the development of the modern prison represents the pinnacle of the relationship between power and discipline. Foucault leads up to his discussion of the prison by examining developments in other instituions: the work shop, the school and the barracks. I really would encourage admirers of this work to read Goffman's "Asylums". The two books overlap to a considerable degree, but they both complement one another.
, December 3, 1996 This transition is rooted in two Enlightenment ideals: humanity and equality. On one hand, penal reformers argued that public execution is cruel and inhumane, and on the other, that the criminal laws and their corresponding punishments were too haphazard and unevenly distributed. In light of these criticisms, a series of political, economic, moral, and legal transformations occurred that found its ultimate expression in the establishment of the prison. Having argued this, Foucault concludes his discussion by explaining why the prison has been such a permanent institution in society, despite the criticisms that it fails to reform criminals and to reduce crime. Everything considered, the title Discipline and Punish: The Birth of the Prison is misleading. The title suggests a simple (or rather, complex) explanation of the emergence of the prison out of the classical period. Foucault does indeed construct a history of the prison, but his project involves far more than simply articulating the process by which the prison is born. More generally, and more importantly, Discipline and Punish is a study in the relationship of power and knowledge, a theme that runs through the majority of Foucault's scholarship. This power/knowledge complex is the model by which Foucault constructs the birth of the prison in France. It is also the model used in his earlier works (e.g., Madness and Civilization and The Birth of the Clinic), though it is not as explicitly articulated as in Discipline and Punish. The power/knowledge complex is based on the premise that power and knowledge are intimately bound, that each relies on the other, and, in a sense, presupposes the other. With respect to the prison, Foucault states that power is not inherent in the institution per se, but in the techniques of discipline that were developed and on which the prison rests. Discipline "is a type of power, a modality for its exercise, comprising a whole set of instruments, techniques, procedures, application, [and] targets . . . And it may be taken over . . . by 'specialized' institutions," such as the prison (215). When power is "taken over" by institutions, it has a tendency to generate bodies of knowledge. In the case of the prison, the body of knowledge that is created is the delinquent, including his behavior, his desires and fears, in short, his whole being. This knowledge reinforces any preexisting power and allows for the creation of other bodies of knowledge, such as criminology, sociology, and psychology. Foucault's study draws on the work of Nietzsche and Marx. Building on Nietzsche's focus on power, Foucault argues that the various discourses occurring in society are rooted in the power/knowledge complex and that this complex is realized on and through the bodies of individuals, in this case, delinquents. However, Foucault is not clear about who exactly uses power and creates knowledge. He insinuates that the dominant class is the one that benefits most from the power/knowledge complex, although he never makes a decisive accusation. The historiography has a refined Marxist quality to it, which is to say that it is more complex than Marx's economic reductionism, but still holds the notions of class conflict, exploitation, and oppression. This notion is problematic due to the conspiratorial image it evokes. It is as if there is a small group of insidious people devising strategies to dominate the world. The reality of this caricature is improbable, although it is probably safe to say that many social institutions cater to elites. Another point to take note of is that Foucault's construction of history is too logical, too linear; this may be an accusation directed at historical constructions, in general. Rather than the Enlightenment notion that history proceeds in a logical manner, it is our constructions of history that are logical. In retrospect, one can see the watersheds and landmarks that outline the etiology of historical processes, thus making logical constructions of history possible. Though historical constructions are useful in helping one understand the forces that shape one's life, even the most complete analysis cannot account for the day-to-day events that make history. Trends happen much more gradually than they appear in historiographies; watershed moments stem from relatively insignificant events that culminate in significant historical change. This is not to say that historical constructions are useless. Rather, it is a statement that the shortcoming of the method that is important to keep in mind. After all, a construction is merely a construction. This having been said, Foucault's historiography is particularly thorough and complex. His analysis is a powerful explanation of how economic, legal, moral, and political reforms contributed to the birth of the prison. Moreover, Foucault's power/knowledge complex has wide applications in the social sciences and humanities. It is a major contribution to social discourses. Discipline and Punish is just one instance of the utility this model has in aiding us in understanding and explaining social processes. Given what has been said, the question now becomes: Who uses power/knowledge and to what ends?
Equally enticing as the book's ultimate conclusion is the underlying historical method, which Foucault called "genealogy." One of the most interesting aspects of genealogy is its focus on the history of bodies, in particular the different ways in which power over time has manipulated the human body for tactical, social purposes (Foucault called this type of inquiry "the political technology of the body"; such intriguing, quasi-scientific terms, e.g. "the microphysics of power," is another fascinating aspect of the book). To be sure, the most controversial element of Foucault's historical method that can be found in the book is his unabashed description of it as "fiction." Readers may be put off by the notion that what they are reading is not really the truth; but for Foucault, truth per se was itself nothing more than the product or effect of power. So, "fiction" here doesn't mean "false" (since the latter implies the existence of an actual "truth"), but should be understood as a kind of "counter-fiction" to the hegemonic effects of truth. The unanswered question in the book, however, is what we should do to combat this insidious "power." If power is so cunning and pervasive as to constitute who we are, how can we fight it except to entertain the bizzare notion that we should fight ourselves? "Discipline and Punish" pretends to present a concrete political work, but the political alternative is not really political at all, but more ethical in a Nietzschean, radically individualist way. In the meanwhile, countless children starve, women are prostituted by the thousands, and xenophobia runs rampant in this era of late capitalist globalization. Foucault cannot help us deal with these problems because the problematic of "Discipline and Punish" is normalization, not the problems of real suffering and evil in this world. So for those who want to read a fascinating and extremely erudite book that does nothing to change the world, I recommend "Discipline and Punish." For those more interested in making a real difference and want to deal with practical politics, I recommend anything by Chomsky instead.
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| 7. Running the Books: The Adventures of an Accidental Prison Librarian by Avi Steinberg | |
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Editorial Review Avi Steinberg is stumped. After defecting from yeshiva to Harvard, he has only a senior thesis essay on Bugs Bunny to show for his effort. While his friends and classmates advance in the world, he remains stuck at a crossroads, unable to meet the lofty expectations of his Orthodox Jewish upbringing. And his romantic existence as a freelance obituary writer just isn’t cutting it. Seeking direction—and dental insurance—Steinberg takes a job as a librarian in a tough Boston prison. Reviews
Customer review from the Amazon Vine™ Program (What's this?) This was not the book I expected.
I'm not totally sure what I expected, but I think it was something funny: something about a librarian hanging out with pimps and drug dealers, scattering literature across the infertile soil of a prison's worth of undereducated, life-hardened, embittered minds. I was looking for some uplift, here, something about how books can save even the toughest cases. What I got instead was reality. Avi Steinberg, who falls into prison librarianhood mainly because he is avoiding the expectations of his strict Orthodox Jewish upbringing (Doctor or lawyer or rabbi, oh my!) but not making enough money as a freelance obituary writer (Another career I never really thought existed, though of course it does), does indeed hang out with pimps and drug dealers, but it isn't really funny. These are not the cartoonish pimps that floated through my mind, a cornucopia of platform shoes and ostrich feather hats and 70's jive lingo; these are actual hustlers, men who make their living off of the exploitation of women, men who are cold and calculating and violent no matter how charming they appear. And because they are human beings, they are also emotionally stunted victims themselves, sufferers of abuse and neglect and generational poverty; their less savory characteristics are simply their best defense against the world that surrounds them. Although there is very little about the saving grace of literature and words and books, Steinberg does paint a vivid and touching portrait of the criminals he dealt with every day for the years he worked in Boston's South Bay prison, as well as a harsh and unflinching one. These people are complex, despite society's desire to affix simplistic labels and shove them into an appropriate drawer labeled "criminal" or "convict" or "scum." Some of them -- many of them -- are cruel and violent and dangerous, as evidenced by the encounters Steinberg has with them on the outside, once they have been released; two that he recounts in the book are a mugging, and a depressing encounter with a pimp and a hooker, both of whom he knew from the prison; Steinberg plays up to the pimp's ego before he realizes that by doing so he is encouraging the violent exploitation of the drug-addicted woman whom he knew and had friendly feelings towards. But there is also incredible sadness in these devastated lives; though there are no instances of the kind of violence usually depicted in Hollywood movies about prison life (another shallow prejudice broken by this book), there is certainly violence and turmoil, and many of the people Steinberg meets are dead before the book's last page. What was most clear from reading this book is that Steinberg is an outstanding memoirist; he gives some wonderful background, on himself, his acquaintances within the prison, and prison itself, both the system and the specific institution he worked in. He has remarkable insight, leading me to pause frequently to consider a particular passage or idea; one of the most telling for me was the simple observation that American prison spending has multiplied even while spending on education, and on libraries, has fallen to almost nothing -- a trend that continues and accelerates in today's economy. And he is a great storyteller, able to bring the people and places to life. This was a great book, one that I think anyone would enjoy who had an interest in books or prison -- and I would wager that pretty much everyone has an interest in one or the other, if not both. A small personal note: as a sometimes reluctant high school teacher, it was fascinating to me personally to read about Steinberg's experiences trying to teach a creative writing course as part of his librarian's duties, because the things he struggled with, and the mistakes that he made and the successes that he had, are very similar to my own experience. Not that I would compare high school students to criminals . . . but the reverse is actually a reasonable comparison; these criminals are in many ways like high school students, and it was very interesting to see.
Customer review from the Amazon Vine™ Program (What's this?) Avi Steinberg is a lapsed Orthodox Jew who came to discover that a lifetime of Torah study and a degree in literature from Harvard didn't seem to prepare him for anything better than a part-time job writing obituaries. Looking around for something that would provide him with more income, and perhaps even a few benefits, he landed a job as a librarian in a city prison. The job didn't require any particular training as a librarian, but it did require a drug test- not a good thing for the occasional pot smoker he'd become. Having been tipped by a friendly civil servant that the test involved a sample of hair, Steinberg did a few calculations, and after deciding that shaving his head might be a bit too obvious, he had his hair cut to military length, and lo and behold, he found himself in a job where, as one long time prison employee informed him, he could lay back, relax, and in thirty years, collect a pension- a prospect Steinberg found even more depressing than his drab prison surroundings.
His first disappointment was on learning that the prisoners who crowded into his library were not their because of a particular love of books- the library was a low pressure place to relax, and the best place in the prison to pass secret letters- "kites", in prison slang- between the men and women who used it on alternate days. Part of Steinberg's job was searching for kites and other contraband, and he eventually began collecting these kites and saving them. He also quickly learned that there's a very strict hierarchy among both prisoners and guards, and that being neither prisoner nor guard, and being a skinny lightweight as well, he naturally fitted into the category of punk- the lowest rung on the ladder. He was bossed around by guards, treated with amused disdain by staff, conned by prisoners. But he decided to make the best of his situation, and actually tried to make a difference in the lives of prisoners, sometimes nearly succeeding, more often than not finding he'd been played for a fool, or simply overestimated what kinds of real changes he could make in the lives of people whose bad decisions had put then in jail. A few of the stories he tells are heartbreaking. One involved a woman prisoner who came to his creative writing class just so she could look into the prison yard through the library window and hope to catch a glance of the son she'd abandoned in a church pew seventeen years before. He also discovers that while Shakespeare is, in general, looked down on by his students- prissy men dancing around in tights, as they see it- Othello has a certain resonance with many of the prisoners. And most puzzling, he learns that a lot of his gang-banger students are impressed that Steinberg came from the Orthodox world, although they're disappointed that he wasn't one of the black hatted Hasidim, a group that impresses the gang members with their style, adherence to their own rules, and even their own languages. And as one prisoner, Kat, explains, he had leaned hanging around in Brooklyn that "you did *not* fuck around in their neighborhood unless you had the green light. If they caught you out of line, man, they'd fuck you up." Most of the stories are more along the lines of how-could-I-have-been-so-naive, and there are plenty of them. And there are plenty of reminders for Steinberg that criminals are, well, criminals. At one point he even finds himself being mugged on his way home by an ex-prisoner who recognizes him from the library- and who, as he runs off, taunts Steinberg by shouting that he still has two books from the library. Ari Steinberg has a gift for storytelling, and for reconstructing dialogue. The result is a narrative that's alternately funny and sad, enlightening, and tragic. He manages to covey his sense of empathy with both the prison population and the prison guards, neither of whom really want to be there, and neither of whom have much choice.
Customer review from the Amazon Vine™ Program (What's this?) I really enjoyed this book. It is about a man, Avi, a Harvard grad and previous Orthodox Jew, who goes on to become a prison librarian, somewhat on a whim, when he isn't sure what direction he wants his life to take. The book can seem a bit disjointed at the beginning, as the first section is more anecdotal, but it all leads up to Avi getting to know and understand the prison system and the inmates. I love the writing in this book. It is lyrical and many "big words" are used, which in most books would feel self indulgent, but they fit perfectly in this story and serve as great descriptors. The inmates in the book are humanized and likable, and Avi shows more contempt for the prison workers than the prisoners themselves. Avi is an idealist and optimistic, and his job tests those personality traits. A great story about a man getting to know himself and understanding the human condition. I also love the cover artwork, it's quite creatively done. I will definitely be recommending this book to others!
Customer review from the Amazon Vine™ Program (What's this?) I chose this book because I was intrigued by the story of a prison librarian...and because one of my favorite writers was quoted on the back with very positive things to say about "Running the Books." And it was interesting...but would have been a more compelling read if - and I've tried to think of any other way to say this - it was shorter.
Since that sounds more than slightly lazy - I suppose what I really mean is that there wasn't a story arc that held my interest through the whole book. Though I realize this is a memoir - there just isn't a climax of any sort. The reader is introduced to Avi, we learn how he ends of applying for and becoming a librarian in a Boston prison...and then we just stay there in prison with him. We learn more about the prisoners than we do Avi. Which is interesting, of course, but because he is our window into this world that few of us know much about, we want to know more about how he feels in that unreal atmosphere - and the effects that it has on his life outside of work. For that matter - I wanted to learn more about his life outside of work, period. "The main book man. I like that. I can't help it. For an asthmatic Jewish kid, it's got a nice ring to it. Hired to run Boston's prison library - and serve as the resident creative writing teacher - I am living my (quixotic) dream: a book-slinger with a badge and a streetwise attitude, part bookworm, part badass. This identity has helped me tremendously at cocktail parties." Because he's one of the few people we read about that spends time in the prison world by choice, I wanted to know more about what kept him there, more about how he felt about leaving and what he did after his prison experience. He's one of the few that a reader might hold out hope that would leave prison and not return - and so the ending just sort of falls off - leaving many unanswered questions. The cultural references he brings out about prisons and their role in society were well done, "Archeologists are occasionally unsure whether an unidentified solidly built ancient structure is a prison or whether it is a treasury building. The polar ends of a society's assets - its wealth and its criminals - are guarded with equal vehemence. Both are of supreme concern and utmost value." For a reader, a librarian is a familiar occupation. The story of that occupation existing in such unfamiliar surroundings should be a compelling one. But because time in prison is measured in such a different way - without more detail on Avi and his life providing an overarching timeline - the reader is left feeling that every prison story has the same result, with just a different inmate.
Customer review from the Amazon Vine™ Program (What's this?) "Running the Books" is a reminder of the indomitable human spirit even when it is caged as a result of its more wayward and reckless predilections. Liberty may be incarcerated but Life and the pursuit of Happiness reign supreme even inside the prison walls.
Avi Steinberg has written a love story of sorts. Love tends to manifest itself in serendipitous ways and often takes us by surprise. I'm sure Mr. Steinberg tried to maintain a "professional distance of the heart". But, for two prisoners in particular, the tendrils of human connection pushed their way through the cracks in the concrete of prison protocol and reached Avi's core. Jessica and Chudney reached into the core of my being also, and I really didn't want them to. I thought "Running the Books" was going to be more humorous than pensive. But those tendrils reached through the concrete of my own stand-offish heart and here I am, still thinking about two people who I will never meet. Of the two, Jessica captured me the most. She had hope, but the reality of how her choices and addictions had wounded others weighed heavily on her heart. She wanted to hope, but she was a realist. She knew that some habits can't be broken and some relationships can't be healed. Some people can hope and with that hope forge a new life, but she knew that option wasn't for her. Chudney is the opposite of Jessica, ever hopeful and optimistic. He made plans so that when he left prison behind him, it would be for good. As a reader I was rooting for him. As I read along I kept hoping he would make it. I couldn't wait to cheer his successes. In my mind, he was going to make it! I just knew he was. There were only two options for him: quick success or struggling but finally making it. Failure wasn't a thought. And in a way I was right. He did not fail and he did not go back to prison. But, in life, sometimes there are options we don't plan for. I don't think Avi or Chudney anticipated the option that came Chudney's way either. "Running the Books" is funny at times, but it doesn't elicit the fall off your seat type of laughter. You may laugh aloud a few times, but as soon as the laugh ends you'll catch yourself pondering pondering the darker side of what first made you laugh. I gave "Running the Books" four stars because, although it is very well written, the writing style was a little dry for me. Even though I'm glad I read it I'm not going to pick up and read it again. Note: I will say that I would have loved to read this with a book club, because I would have loved a deep discussion about why Jessica tore up the sketch of her face. I have some theories and I hate having no one to discuss them with.
Customer review from the Amazon Vine™ Program (What's this?) There are so many interesting things happening in this book, it's tough for me to know where to begin or what to include - I could write and write; the "accidental prison librarian," Avi, and the inmates he meets and interacts with are fascinating.
I was a little surprised when I came to the end of the first "chapter" (after 120 pages) - there are plenty of subheads in typewritten style which indicate a fresh topic or story throughout the long chapters, so that it's easy to find a stopping place if you only have a few minutes to read (but good luck making yourself put the book down). The book seemed to me to be mostly about communication, interaction, experiencing life, and growth. There is background (history) not only on many of the inmates (and their nicknames ... Solitary's story is interesting, as is Coolidge's and many of the others) but also on Avi, and how he came to be working in a prison library. How Avi finds his place (up against a tough predecessor, Amato, security officers who either laugh when he's being mobbed by women inmates or who don't even seem to see him, and inmates who step on him with their schemes) is engaging, funny and sad all at the same time. I enjoyed his experiences teaching classes and reading haiku or other kites from inmates who were either in his classes or just visiting the library. The anecdotes are told with humor, sensitivity and emotion and I felt for the people who knew they had messed up their lives and had to pay by spending their lives in prison. My favorite parts included "kites," which are letters (or lists, poems, other written things) left in books in the library (and the saying "Books are not mailboxes") and skywriting, where inmates spend time in front of windows scripting letters backward to someone skyward looking out another window (in the Tower, maybe). The need to communicate is strong and the ways the inmates find to connect with each other are fresh and innovative.
Customer review from the Amazon Vine™ Program (What's this?) "Running the Books" is a story about an obituary writer turned prison librarian, a collection of books, the space that they occupy and the people who come through the doors. Avi Steinberg introduces us to the diverse group of incarcerated men and women, who are nameless, forgotten, disparaged, feared and hated by much of the rest of society. Without excusing any of their actions, Steinberg moves beyond the surface to discover their hopes, fears, family ties, strengths and wounds, finding that his experiences are not so very different. The guards and other prison staff may hold the keys but leave behind great deal of their freedom and individuality when they pass through the sally port at the beginning of each shift. Creativity, compassion and conniving are found in the soul of everyone and the library an played a key role in making this clear. Written as memoirs, "Running the Books" is circular in its telling, reminding us that relationships and life journeys are rarely linear. It is essential for everyone to be able to find and share one's story as a way to understand the past, accept the present and move into the future. The description of "Sky Writing" was beautiful and spoke to the inherent need for humans to be able to stay connected. In spite of the bleak realities, people work to create the best life possible, by accommodating without giving up, forming community, and finding reasons to hope. Excellent choice for a book club.
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| 8. The Murder Room: The Heirs of Sherlock Holmes Gather to Solve the World's Most Perplexing Cold Cases by Michael Capuzzo | |
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| 9. Dr. Mary's Monkey: How the Unsolved Murder of a Doctor, a Secret Laboratory in New Orleans and Cancer-Causing Monkey Viruses are Linked to Lee Harvey Oswald, ... Assassination and Emerging Global Epidemics by Edward T. Haslam | |
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| 10. Homicide: A Year on the Killing Streets by David Simon | |
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Simon spent an entire year observing a squad of Baltimore homicide detectives. The result is an incredible page-turner, filled with humor, pathos, stupidity, politics, brutality, and, through it all, death. This is not Hill Street Blues, and especially not Barney Miller. As realistic as Hill Street Blues tried to be, it really can't touch the mundane uniqueness--the singular exciting boredom--that is the job of homicide investigation. To parody Dr. Seuss, "Ah, the things you'll see!" This is a travel book as much as any trip to a foreign land--an exploration into the world of police procedures and life. It's not a place many of us would choose to live in, much less visit. I much prefer to read about it.
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| 11. Assassination Vacation by Sarah Vowell | |
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Editorial Review From Buffalo to Alaska, Washington to the Dry Tortugas, Vowell visits locations immortalized and influenced by the spilling of politically important blood, reporting as she goes with her trademark blend of wisecracking humor, remarkable honesty, and thought-provoking criticism. We learn about the jinx that was Robert Todd Lincoln (present at the assassinations of Presidents Lincoln, Garfield, and McKinley) and witness the politicking that went into the making of the Lincoln Memorial. The resulting narrative is much more than an entertaining and informative travelogue -- it is the disturbing and fascinating story of how American death has been manipulated by popular culture, including literature, architecture, sculpture, and -- the author's favorite -- historical tourism. Though the themes of loss and violence are explored and we make detours to see how the Republican Party became the Republican Party, there are all kinds of lighter diversions along the way into the lives of the three presidents and their assassins, including mummies, show tunes, mean-spirited totem poles, and a nineteenth-century biblical sex cult. Reviews
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| 12. Boston's Gun Bible by Boston T. Party, Kenneth W. Royce | |
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I do have one caveat. The author is obviously and tremendously trained in almost all aspects of martial arts. Yes, shooting is a martial art too. However, to my knowlegde, and Boston makes no reference to it in anything I have read by him, that he has taken down an oppenent with karate, knife, etc., or had someone in his custody and 'under his gun', much less shot anyone or been shot at. Its not like I have either, but if Boston has one weakness, it is this. No practical combat experience. You might want to balance his book with other material by bona fide veterans, etc.
This weighty tome is an absolute MUST for all gun owners. At $28 it isn't cheap, but as I stated before in reviewing the previous edition, it is worth every penny. Boston's observations and conclusions about guns are precisely researched, scientific, and relatively dispassionate. Unlike many other writers in the firearms field, Boston has consistently shown that he is willing to change his mind when presented with logical evidence. This is a book that may very well save the life of yourself or a loved one. It is also a highly influential book that may contribute in the long run to the restoration of our Constitutional Republic and freedom around the world. Boston's Gun Bible doesn't just whine about the decline of our God-given Constitutional liberties. Rather, it shows practical solutions that individual Citizens can and must take to insure the liberty of future generations. It is nothing short of a monumental work of non-fiction! Don't just buy one copy. Buy two! You will soon find that you'll need an extra copy to lend out to family members and friends. OBTW, if you already have the older edition, then I strongly suggest that you buy the new expanded and updated edition. This valuable new information is well worth the investment. As a published fiction writer, I stand in awe of this important piece of non-fiction. It deserves a place of honor on the bookshelf of every freedom-loving Citizen. Semper Paratus,>Author of the pro-gun novel "Patriots:Surviving the Coming Collapse."
Given the book's patchwork style, I think it best to review it according to themes. There are three I will consider: 1. Technical Aspects of Firearms; 2. Philosophy of Firearms; The Technical discussion is one of the strongest sections. I came to this book as a complete newbie as far as firearms are concerned. But the technical part of the book rewards careful reading. It is a complete and meticulously considered course on firearms - how to buy them, how to evaluate them, how they work, how to keep them working, etc. Of the 46 chapters in the book 22 are devoted to this one topic. In his sections evaluating various rifles and pistols, Mr. Royce, using a system he devised, rates dozens of rifles and pistols. His system employs "63 criteria...to rate the controls, features and specifications of combat rifles." And while it is true his full system is deployed only against rifles, the system itself is an extremely useful tool for evaluating any firearm, and also comparing firearms among themselves within distinct classes The Philosophical aspect of the book is as difficult and convoluted as the Technical part is straightforward. On the one hand, this is in the nature of philosophy. On the other, the difficulty has to do with the purpose and meaning of guns in human culture. This topic has no Socrates (unless it is Nietzsche), and Mr. Royce in this book provides what is only a rudimentary outline. (In his other books, none of which I have read, he may articulate more fully his philosophical arguments.) Mr. Royce's view of human society is that it consists of a very large number of sheep-like beings, who are preyed upon by a few rapacious predators and/or bad governments. He seeks to lay out a third position: "those who refuse to be either", and offers as an example, "an armed libertarian". The core values of the Third Way are the values of the Warrior, and in any number of ways, Mr. Royce drapes the term Warrior in the full regalia of an ancient and venerable tradition. By denying the Warrior as predator (Mr. Royce's Warrior is no berserker, no pirate, no storm trooper and no imperialist) he evokes a sterner, more finely tempered kind of life, where honor, personal responsibility and concern for others hold pride of place. Human life is intrinsically a life of struggle, and in Mr. Royce's view, a person can accept the reality of this and learn to fight, or he can flee this responsibility, outright by becoming prey, or indirectly by delegating his role to other "protectors". Unfortunately, as any reading of history will attest, the protectors all too often themselves become the predators. Only the Warrior, living a value imbued life that explicitly eschews violent domination of others, can move beyond the predator/prey cycle. The state for which the Warrior strives is that of liberty, and the life of liberty in human societies is moved by four forces, symbolized as the soap box (discussion), the ballot box (formulation), the jury box (interpretation) and the cartridge box (decisive action). In the real world, the first three do not exist in a substantive way without the fourth. And for that reason, firearms - "liberty's teeth"-are the necessary though not sufficient conditions to resist servitude. The Political themes of this book are the most passionate, and the least organized, of all. With respect to tyrannical governments, Mr. Royce's arguments are not convincing, at least to me. Certainly, he does have history on his side. "Death by government" was a central motif of the twentieth century, and many previous centuries as well. People would do well to be wary of governments. They would do well to be prepared to take action against tyrannous governments. The question is, Do Americans now face such tyranny? Has the time come to step off the soap box, batten down the ballot box, burn the jury box and open the cartridge box? Mr. Royce is convinced that such a time is imminent, but his arguments in this direction are flimsy. The Political side of the book does not answer to the Philosophical side. This is a strong book, which I recommend most highly for anyone who is interested in firearms, and who wishes to learn more about any of the themes I have outlined. Owning and using guns is a method which, in mature use, inspires careful reflection, as well as considered action.
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| 13. No Angel: My Harrowing Undercover Journey to the Inner Circle of the Hells Angels by Jay Dobyns, Nils Johnson-Shelton | |
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| 14. Helter Skelter: The True Story of the Manson Murders by Vincent Bugliosi, Curt Gentry | |
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Editorial Review Both Helter Skelter and Vincent Bugliosi's subsequent Till Death Us Do Part won Edgar Allan Poe Awards for best true-crime book of the year. Bugliosi is also the author of Outrage: The Five Reasons Why O. J. Simpson Got Away with Murder (Norton, 1996) and other books. Curt Gentry, an Edgar winner, is the author of J. Edgar Hoover: The Man and the Secrets (available in Norton paperback) and Frame-Up: The Incredible Case of Tom Mooney and Warren Billings. Reviews
I thought I had a pretty good idea of most everything that had happened during this whole ordeal that ended the era of "peace and love," but I didn't know the half of it. Bugliosi needs over 700 pages to vividly recount every second of what led up to the Manson murders and every detail of what was done to bring the killers to trial and put them away. This is without question the fastest and most intense 700 page book I've ever read (and I've read a few), and that can be credited to the sheer madness of this case and the brilliance of the deep-thinking, amazingly-talented prosecutor who closed the case and then wrote this book to tell everything about it.
The first page on the book reads: "The Story in Which You Are About to Read Will Scare the Hell Out of You". That is not an understatement. This book literally kept me up at night fearing that someone could just simply walk into my living room at any minute. It was so vividly described that it put the fear of God in me when I could literally picture the entire array of murders accurately inside my head. It is such a horrifying aspect, a sea of thoughts that will forever remain inside your subconsciousness. I guarantee that when you read the passages describing the horrendous Tate/LaBianca murders, you will gradually build the entire picture inside your brain, to the point where you will feel like you are there, looking down on an excruciating scene of human barbarity. Not ONE detail is left to the imagination. You will feel like you are inside the investigation, working with Bugliosi to pinpoint these motives, journeying with the killers step by step as they act out there darkest fantasies. You will begin to second guess "The White Album" and be disturbed by Manson's seemingly psychotic interpretation of it. (Make a point to listen to this album afterwards, and you will feel transported back to the Spahn Ranch where the madness soon ensued) You will feel yourself singing crazy ballads with the Family, you will become ancy inside Susan Atkins' jail cell. You will be scared alongside Linda Kasabian on the long night ride to the Tate house. All these feelings and more will incorporate your senses whilst reading this horrifying story. All I can do to recommend this book enough to you is to say that it stayed with me and disturbed me for years to come. Every time I read this novel, I become obsessed with the events, haunted when I'm lounging around "in the dead of night". Trust me, reading this book is like surviving the events yourself. With its graphic detail and play by play analyzation of every possible occurence, "Helter Skelter" is one of the best true crime novels ever written. I can't suggest a better title for you to read. Be warned, however: Only immerse yourself in this world if you have a desire to be constantly frightened and possess a strong tolerance for graphic descriptions of violence. Not a book for the kiddies! Reviewed by J.C. Hoyt Only the absolute BEST pieces of art recieve the highest rating on the universal scale of stars. Hint, hint.
I was seventeen years old then, and although I was no stranger to the extremes of human aberrations, I was mute with horror at some of my teacher's revelations. (Sadie Mae Glutz's weird name - and the equally goofy name she gave her newborn son - were the least of her post-partum peculiarities.....Manson family females had to wait until the slobbering canines devoured their meals before they could nourish their own inner children......) Several months later, as a freshman newly transplanted at the University of Kansas precisely seven years after the abominable crimes, I purchased a paperback copy of "Skelter". The prodigiously gifted prosecutor has created a spellbinding re-creation of the events surrounding that long-ago August weekend. Moreover, he has delved into the pathology of Manson and exposed the mass murderer for what he is: a manipulative, savvy, cold-blooded and narcissistic individual - someone who does not deserve to taste freedom - ever. If you think you know everything about what it takes to convict a criminal - especially someone who (cleverly) avoided the crime scene - "Skelter" reveals the protracted, painstaking and dedicated efforts put forth by Bugliosi to convict these deviants. In those pre-O.J. days in L.A., Bugliosi was fortunate to have a jury who listened - without bias - to the truth, to the overwhelming evidence, and to a talented prosecutor's stunning summation. Happily, Bugliosi was victorious, but his accomplishments didn't end with the 1971 verdicts...... Read "Skelter" and learn about the vast research and skill employed by the prosecutor to vanquish his foes (which included a Judge Ito-like milquetoast who referred to Manson's chief assassin as "poor Tex" and nearly derailed the conviction of Charles Watson). Yes, "Skelter" is much ado about Vincent Bugliosi - and rightly so. The prosecutor will forever have my respect, loyalty and admiration for removing these vicious killers from our midst. However, there are valid sociological lessons to be derived from his narrative. Most of Manson's followers (including the would-be messiah himself) endured difficult childhoods. However, a whole lot of us endure wrenching situations. Many seductive and charming people use these traits to lure vulnerable people to their licentious lair - but that doesn't give us license to commit unspeakable crimes. In the end, neither Manson nor his "family" elicit sympathy - not from this reader. In March of 1978, after suffering a nervous breakdown and subsequently enrolling in an out-of-town college that fall, I was accosted on a daily basis by every Hairy Krishna, Moonie, self-professed religious zealot and would-be spiritual savoir on the campus. I couldn't speak very well back then, but I still refused these transparent ministrations - forcefully. Yes, I was disenfranchised. Yes, I was unbearably lonely. Yet I remembered something a wise priest once said, "Remove yourself from the occasion of sin, lest you fall into sin." We should all, no matter what our religious preferences may or may not be, steer clear of false prophets. In the pantheon of sin, Manson was among the very worst of offenders. Not only did he lead his starry-eyed disciples into evil, he exploited them for his own aggrandizement. To be a destroyer of humanity (a transgression that can never be repaid - not in this life) must surely rank among the worst crimes of all. My eternal thanks and gratitude go to Vincent Bugliosi for providing the victims and their families a most precious gift - justice. It can never bring back their loved ones, but as Doris Tate (Sharon Tate's mother) said, "After the convictions, we slept through the night for the first time since Sharons' death." The value of justice can never be adequately measured, just as the lives of those innocents lost can never be restored.
Co-author Curt Gentry narrates the first half of the book in the omniscient third-person, informing readers of the stark facts. On August 9, 1969, 10050 Cielo Drive went from being Sharon Tate's "love house" to a slaughter house where 5 victims (Tate, her friends Jay Sebring, Abigail Folger, Voytek Frykowsky, and an unknown bystander, Steven Parent) were stabbed repeatedly, and in some cases, shot. The most horrifying image is the death of Sharon herself, who was nearly nine months pregnant, and in her most vulnerable state. The following night, August 10, Rosemary & Leno LaBianca were the victims of the massacre. Aside from the graphic nature of the crimes, messages had been printed in blood. Among them was a mispelled one: "Healter Skelter". Gentry gives details on the LAPD investigation. At times, the police come off as the Keystone Kops with their obvious mistakes (for instance, an officer presses the gate buzzer at the Tate residence, obliterating the bloody fingerprint originally left there). In other instances, some officers are shown to be thorough in their interviewing techniques and investigations (most notably Dianne Lake, a former member of the Manson family). When Gentry begins to unravel the horrors of one Charles Manson, a small-time pimp and criminal who had spent most of his life in federal prison, the narration is at its most compelling. Eventually, one of the perpetrators of the "Helter Skelter" murders, Susan Atkins aka Sadie Mae Glutz, blabs to her cellmates once too often, and (thankfully) gets the killers arrested. Bugliosi gets assigned to the case. Bugliosi apologizes for the abrupt change in the narration, since he picks it up in the first person singular. However, his ability to relate the details of the case, the personalities of the killers and victims, the forgotten clues, interviews with understandably frightened witnesses, and his analysis of the dynamics of the Manson Family will soon make the reader forget this change in the "voice". Bugliosi is a trial lawyer who puts 150% into his work, and to read his account of why he had to prove motive, how he got the maximum amount of information from his witnesses, etc., is to read a masterpiece. It's rare to see any lawyer that dedicated to his job. Bugliosi not only has an eye for details that are seemingly unimportant at first, he also has the ability to articulate the main points of the case in a manner which is easily understood by someone unfamiliar with criminal law--a rare combination. The trial was almost as bizarre as the murder, with the defendants behaving as if they were unruly students in a classroom, and laughing at inappropriate times. The most unforgettable moment would have to be Manson's attempted attack on the judge, as his co-defendants admiringly looked on. Those 3 women, as well as the other Manson family members (including the prosecution witnesses), believed that Charlie had magic powers. Considering that he and his four co-defendants were found guilty and got the death penalty, only to have the death penalty overturned by the U. S. Supreme Court, it would seem that maybe Manson DID. In the afterword, Bugliosi goes on to name other unsolved murder cases in which the Manson family members are suspects (there are possibly about 40 victims in all, or even more). His eloquent trial arguments are a reminder of what could have happened if this case had been assigned to a lawyer who DIDN'T always have his eye on the ball. The scariest thing about these cases is that Manson could have easily walked, given the initial lack of concrete evidence. Bugliosi is probably the all-time champion prosecutor when it comes to circumstantial evidence cases. For another one of these books, check out another one of his books, "Till Death Us Do Part". His final argument is so concise and thorough in the way it covers every possible issue, it must certainly rank among one of the finest arguments in U. S. history.
Vincent Bugliosi does an effective job of putting the chilling story of the Manson murders into print. You will learn a few things about our country's criminal-law system as you read the book, so it's very educational. The greatest tragedy in this true-crime story was that Sharon Tate worked hard all her life for stardom yet would find it only in death. I cannot help but empathize with all the murder victims -- some of whose bodies will never be found -- but most especially with the Tate and LaBianca victims whose only crime was being in the wrong place at the wrong time.
Bugliosi does a wonderful job with this book -- I usually am not a fan of long drawn-out courtroom descriptions, but Mr. Bugliosi makes you feel as if you are right there and "in on the action." Of course, perhaps these courtroom chapters are fascinating because the defendants themselves were so strange, so odd, so malicious and without remorse, that everything they did was of interest. The book is the most frightening, disturbing, realistic, well-written, bone-chilling I have ever read . . . and it is all the more frightening because it actually happened. I first read this book about 4 years ago and have re-read it about 3 times since, and I feel like I pick up on something new each time. This is one of those books you just cannot put down -- even though the descriptions are gruesome, the crimes heinous, the family's lifestyle so bizarre and disconcerting, Manson's hold on them so difficult to grasp . . . you keep turning the pages, reading faster and faster because you simply cannot wait to find out what happens next. I highly recommend this book -- as long as you do not scare too easily. This is one book that stays with you for a long long long time.
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| 15. Gang Leader for a Day: A Rogue Sociologist Takes to the Streets by Sudhir Venkatesh | |
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list price: $16.00 -- our price: $10.88 (price subject to change: see help) Isbn: 014311493X Publisher: Penguin (Non-Classics) Sales Rank: 4678 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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| 16. Mind Hunter: Inside the FBI's Elite Serial Crime Unit by John Douglas, Mark Olshaker | |
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list price: $7.99 -- our price: $7.99 (price subject to change: see help) Isbn: 0671528904 Publisher: Pocket Books Sales Rank: 10507 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Editorial Review As the model for Jack Crawford in The Silence of the Lambs, Douglas hasconfronted, interviewed, and studied scores of serial killers and assassins, including Charles Manson,Ted Bundy, and Ed Gein, who dressed himself in his victims' peeled skin. Using his uncanny ability tobecome both predator and prey, Douglas examines each crime scene, reliving both the killer's and the victim'sactions in his mind, creating their profiles, describing their habits, and predicting their next moves. Now, in chilling detail, the legendary Mindhunter takes us behind the scenes ofsome of his most gruesome, fascinating, and challenging cases -- and into the darkest recesses of ourworst nightmares. Reviews
The book starts off with Douglas' early life, entry into the FBI, and the struggles he endured to get profiling on the map. Then, Douglas procedes in showing the reader how success in famous cases thereafter solidified profiling as a real, if somewhat imperfect, science. Douglas goes case by case, pointing out what he looks for in determining the type of killer responsible, and the clues needed to single out the offender. If you are interested in profiling, John Douglas will show you how he and others like him have done it for years. Unlike the previous reviewer stated, Douglas DOES show you how a trained professional would profile a criminal, but the reader should not expect to be able to profile someone themselves because it takes years of experience and training. He shows the reader what type of physical and behavioral evidence he looks for when creating a profile. In one chapter, he even decides to take you step by step in detail on how he developed a profile for a killer. Profiling is a behavioral science technique and while Douglas integrates psychological theory, it does not get at all technical or something that the reader will not understand. Douglas and Olshaker made sure this was a book that anyone could read. John Douglas covers a lot of cases in this book and while they may not be detailed to every piece of evidence in the case, the book overall succeeds in showing the reader how the cases were solved, a general idea of FBI life, profiling, and the criminal mind. ...And no, as explained in Douglas' books, serial killers or others cannot read this book and come up with a way to get away with murder... an attempt by a killer to use this sort of tactic would just implicate him further by blatent behavioral cues, as explained. If you like this book, I would definitely recommend any of John Douglas and Mark Olshaker's books.
John's other biographical stories help illustrate how diffcult life inside the FBI can be. The list of victims in a murder isn't limited to the one murdered; they include the family, neighbors, friends, investigators working a case and Federal law enforcement officers and their families. Anyone considering a career in law enforcement or with the Bureau, should take this into consideration before signing on. In the context of writing, there are two ways to tell a story; telling vs showing. Mark and John chose to write this book by showing the reader how profiles are constructed. No, you won't find a step-by-step instruction manual within these pages, but you will find the method fully illustrated. An example is the Trailside Killer profile. Carpenter approached his victims in isolated areas and used a blitz attack from the rear to disable them. John Douglas wondered why and took the reader through the steps; the killer didn't attempt to lure or trick his victims as had Bundy. Instead, the killer felt the need to take the victims by surprise even in isolated areas of Tamalpais Park. This told John the killer felt awkward, possibly had a handicap. A physical impairment or disfigurement would have been noticed by others in the park at the time of the murders. That left a speech impediment. The rest of the reasoning behind the profile is detailed quite clearly. John's methods aren't magic but a result of years of studying human nature, a creative way of thinking about a problem and a background based on intensive interviews with hundreds of convicted killers. Ego plays a large part in the life of any law enforcement officer. Had John Douglas or Robert Ressler, or Roy Hazelwood spoken to police departments in an unsure manner, would any of those agencies have paid attention? That confidence carries over into real life and to the written word. For those seeking an inside look at the FBI, there are other books available. Mindhunter, however, is the story of the FBI's first profilers (All of them, not just Douglas) and a look at the Behavioral Science Unit. Mindhunter, along with John's other books co-authored with Mark Olshaker, show the impact of murder on those closest to the crimes --the families and loved ones. John Douglas' caring for the surviving victims shines from every page in which he talks about that impact, the friendships formed through tragedy, the advocacy of victim's rights and his push to have VICAP become mandatory. If I could give a higher rating, I would rate Mindhunter a 10.
ONE THING THE BOOK DIDN'T DO, WAS EXPLAIN HOW THEY CAME UP WITH A PROFILE: JOHN DOUGLAS COVERS MANY HIGH PROFILE CASES IN THIS BOOK BUT, IT IS MORE A BOOK ABOUT HOW THE THE SERIAL CRIME UNIT AND HOW THEY LEARNED SOME OF THE TECHNIQUES THEY USED. THE LOGIC AND STRUCTURE OF MANY SOLVED INVESTIGATIONS WAS DETAILED. Here you can see where involving this unit may be able to save precious time. From evidence gathering, questioning and staking out various locations associated with the crimes. There is a pattern we all follow. As humans, we are all creatures of habit and compulsion. Those of us driven to crime and horrible acts of violence even more so. John Douglas discusses this in many situations they dealt with. IF YOU ARE LOOKING FOR A BOOK THAT: BUT, IF YOU ARE LOOKING FOR JOHN DOUGLAS DOES A NICE JOB WRAPPING UP THE DETAILS OF HIS LONG CAREER AND A PART OF IT HE FEEL PASSIONATE ABOUT. We should all be so lucky to have an opportunity to shape the world around us as he has. He has paid the price with health and family issues, but the outcome, I'm sure he would never change. Bravo.
I met John Douglas a few years ago, and attended one of his seminars--his presentation on profiling was excellent!
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| 17. Hell's Angels: A Strange and Terrible Saga (Modern Library) by Hunter S. Thompson | |
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Since the recent death of Marlon Brando, his movie The Wild One has gained a new audience; it is in fact based on an incident Hunter chronicles in this book, the Rape of Hollister. Oddly, nothing remotely similar to the movie happened there, and some other legendary "motorcycle riots" such as the one at Laconia, New Hampshire, weren't initially riots at all, and certainly didn't involve the Angels, though the media portrayed these events as the brink of Armageddon and gave middle America yet another "dangerous group running wild in their midst," something else to freak over in addition to Communists hiding under every rock. The Angels became, over time, what people expected them to be. Hunter recognized this transformational quality in his own profession: if other reporters, from respected national magazines, could make up stories or at least embellish them enough to freak people out, he could do it better! What you will find in Hell's Angels is great reporting, an unflinching look at real wildness and personal risk, and the genesis of what would become Hunter's trademark style. If for no other reason, fans of Tom Wolfe, Ken Kesey, or the "Beats" (including the real "Dean Moriarty" from On the Road, still alive at the time, still driving, and hanging out with the Pranksters) should read this book for the legendary Acid Test at Kesey's place at La Honda when Hunter and the Angels showed up (by invitation, as Kesey was burning to meet them). In a singularly rare occurrence, we find two journalists just before they became instant icons writing about the same private party, rather than, say an inauguration, or awards ceremony, or some other public spectacle; the "public" was definitely not invited to La Honda. Compare Hunter's account of that weekend with the one that appears in the Electric Kool Aid Acid Test; you might just be surprised by who is the more "legitimate" writer. I obviously love this book and highly recommend it, but again, it isn't FEAR and LOATHING WITH THE HELL'S ANGELS; it's far too serious a situation for that, as you will discover upon reading it. (And if that idea somehow still escapes you, watch Gimme Shelter, the great Maysles brothers' documentary of the Stones free concert at Altamont; if THAT doesn't do it, go down to your local biker bar and kick over a few choppers; you'll deserve what you get.)
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| 18. Under and Alone: The True Story of the Undercover Agent Who Infiltrated America's Most Violent Outlaw Motorcycle Gang by William Queen | |
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| 19. In Cold Blood by Truman Capote | |
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I haul my copy out every 2-3 years just to remind myself how wonderful the rhythms and nuances of the American language can be at the hands of a master. I am totally drawn into the lives of the prosperous and completely unsuspecting Clutter family of western Kansas and the two drifters, Perry and Dick, who by themselves didn't amount to much but together proved lethal that fall night in 1959. A trivia note: Capote's research assistant on this book was Nell Harper) Lee, who shortly after would become famous as the author of "To Kill a Mockingbird." I'd recommend Gerald Clarke's excellent biography "Capote" to learn about this one-of-a-kind book, its creation, reception, and how it affected the author's life.
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| 20. Hope Rising: Stories from the Ranch of Rescued Dreams by Kim Meeder | |
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Kim has a gift of being able to relate the stories of Crystal Peaks Youth Ranch in a powerful and beautiful way. Her heart for the Lord and for His children and creatures shows through in every story. She addresses the horrors of what she's seen and experienced in a way that's honest, but doesn't overdo it with graphic details. Her focus remains on the Hope she refers to in the book's title. She always comes back to the fact that God can make beauty from ashes, no matter how hopeless a situation seems. This book is one that anyone would benefit from reading, regardless of their feelings about horses. I know for me, it's already been life-changing. Kim and her husband's work at Crystal Peak is an inspiration for anyone who wants to impact the world for Christ, no matter what the arena in which they choose to do so.
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